Julia se revela(2024)

Ghost Dance(en)

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

O Rizo(gl)

Memoria de Soutelo(gl)

Las Preguntas que Perdimos(es)

Memory Games(en)

Without memory we are nothing. Memory makes us human. It’s who we are. Memory Games offers a thrilling insight into the lives of four athletes from the United States, Germany, and Mongolia as they compete for the title of World Memory Champion. Their unique approaches to memorizing and recalling mind-boggling amounts of information and their life stories form the basis for a visually stunning and thought-provoking documentary that looks at how memory permeates every aspect of our lives.

Train Birds(de)

Hannes is a beer truck driver in Dortmund. His biggest dream is to win the first prize at the International Timetable Contest in Inari (Finland). When his new boss cancels his extra holidays to go there, Hans goes mad… On his journey to Finland by train, followed by the police, he meets lot of folks and the love of his life.

Unknown(en)

Five men wake up in a locked-down warehouse with no memory of who they are. They are forced to figure out who is good and who is bad to stay alive.

Iris(en)

True story of the lifelong romance between novelist Iris Murdoch and her husband John Bayley, from their student days through her battle with Alzheimer's disease.

Facing Windows(it)

Overburdened and stuck in a greying marriage, Giovanna takes to caring for a Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her.

Kung Fu Mahjong(zh)

Chi Mo Sai (Yuen Wah) meets Wong (Roger Kwok) in Auntie Fei's (Yuen Qiu) cafe and learns that Wong has photographic memory. He decides to exploit this skill by teaching Wong how to play Mahjong, but Fei, Wong's boss, strongly objects to it. Despite Fei's objections, Wong learns Mahjong from compulsive gambler Chi Mo Sai. He impresses triad boss Tin Kau Ko (Wong Jing). Wong falls in love with Tin's mistress (Theresa Fu) and is beaten by Tin's men. Wong then becomes crazy. Luckily, Fei cured him using Mahjong. Fei wanted Wong to beat Tin in the "King of Mahjong" competition and be the King of Mahjong. The film ends with a climactic "King of Mahjong" Competition. It is the only film made in 2005 to boast of having a sequel made in 2005.

The Sad Sack(en)

Private Meredith Bixby is so out of step in the Army that his six weeks of planned basic training has now stretched to 17 months. After he loses a tank, WAC Major Shelton, a psychologist, is assigned to make a good soldier out of him. She requests Corporal Dolan and Private Stan Wensalawsky to help with the training. Dolan and Stan both have scores to settle with Bixby and their "guidance" leads to more mishaps. Sergeant Pulley has them shipped out to Morocco. On leave in North Africa, Bixy wanders alone into a bar, has a few Moroccan Delights, which he thinks are malted milks, and becomes convinced that exotic singer-dancer Zita is THE girl for him.

Omelettes With Spinach(en)

The morning after a class reunion, two hungover colleagues reconnect over breakfast but unspoken tensions of loss and desire adorn the air between them, driving them further apart.

The Drowned(it)

The Dark Place(en)

Keegan Dark returns to the the heart of California's winery valleys to make peace with his long-estranged family. Instead, he finds a harrowing mystery that endangers his family's lives and livelihood.

Arrogance of Power(en)

This documentary shows the fascist might of the Marcos regime and how militarisation and human rights violations were institutionalised in Philippine political life. The film exposes the human rights violations during the Marcos regime, unmasking the dictator's claims that there were no political detainees under martial law. Arrogance of Power (1983, TRT 38 mins.) is a documentary by AsiaVisions (previously named Creative Audio-Visual Specialists or CAVS) made originally in Super 8 migrated to U-matic and digitized for access.

Fairport Convention: It All Comes 'Round Again(en)

A full-length documentary tracing the history of Britain's premier folk rock group.

Quearborn & Perversion: An Early History of Lesbian & Gay Chicago(en)

Quearborn & Perversion: An Early History of Lesbian & Gay Chicago (2009, 109 min) is a documentary on LGBTQ life in Chicago from 1934 to 1974. Moving from the speakeasys and Henry Gerber’s founding of the Society for Human Rights in the 1930s, to the underground social structure of the 1940s and 1950s, to the dawn of consciousness-raising entities such as the Daughters of Bilitis and Mattachine Midwest in the 1960’s, and concluding with the emergence of the gay liberation movement with the first Pride March and opening of the first community center in the early 1970s.

The Coup d'État Factory(pt)

Brazil has a long tradition of coup d'états. These coups would have not been viable without the support of the big media, particularly TV Globo. Two Brazilian journalists in the UK reveal the manipulative tactics of these organisations.

Brasileiríssima - A história da telenovela(pt)

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’