Dating from 1932, this footage is a relic filmed by British explorer Nelson Castle during an expedition to the south of South America.
Himself
Dating from 1932, this footage is a relic filmed by British explorer Nelson Castle during an expedition to the south of South America.
2024-02-15
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Through the second half of the 1960's the Beat movement and the first National Rock were the flagship of the youth, leaders as never before of a society in transformation. The formation of the first bands, the venues for concerts, the difficulties to sing rock in Spanish and interact with other artists create new ways to communicate previously unavailable. This documentary presents the story of these first pioneers of the Argentinean rock music.
Without a trace portrays the life and work of filmmaker Quirino Cristiani, 1896 to 1984. An animator, cartoonist and italoargentino cartoonist, creator of the first feature animation world; The Apostle 1917.
A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
Documentary about the enigmatic and experimental music group "Reynols", his lead singer and leader who was down syndrome and the peculiarity of having a discography published in the most dissimilar corners of the planet.
Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.
The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.
In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.
This short film is an autobiographical portrait of a young Argentine lesbian growing up in a homophobic environment.
It tells the story of three Malvinians who for various reasons were forced to leave the islands and move to mainland Argentina.
ATUEL is the story of a community and its river; of a river and its community. Everyone in the province of Mendoza, Argentina, lives in one of three oases. The southern oasis, home to the cities of San Rafael and General Alvear, depends primarily on The Atuel River. Yet incredulously, the river remains under threat. People cannot care for what they don’t know and so we decided to ask the river what story it would like to tell about itself. To do so, we travelled its entire length from its source in the heart of The Andes to where it dries out prematurely in the sands of The Cuyo Desert. We’re told we are the first to do so since 1884 and the first ever to do so by boat. 43 days. 480 kilometres. 38 people interviewed about their relationship with the river.
The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.
Documentary about freestyle competition and hip-hop culture in Argentina.
The construction of the Obelisco in Buenos Aires, Argentina.
In this spectacular real-life adventure, a small team of Argentinean mariners sets sail for Antarctica in a custom-built sailboat. But to get there they and their vessel will have to brave the treacherous Drake Passage, one of the most dangerous bodies of water on Earth.
A documentary about Finnish twin sisters, one of whom disappeared in Argentina in 1977.
A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?
His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.
For more than forty years, Argentinean sportsman Guillermo Vilas, a tennis legend, has tirelessly demanded that the official rankings (1973-78) be revised in order to finally be recognized as the best player in the world. Eduardo Puppo, a sports journalist, making Vilas' demand his own, fought for more than ten years against a powerful sports corporation to prove that Vilas was indeed unfairly displaced from the top of world tennis.