'Eigi Sylhet' is a journey of my self-discovery. With no narrative, this two-minute diary film paints a portrait of my resilience and artistic awakening, weaving together my self-portraits and cityscapes captured in 2018, a year I spent in oblivion, solitude and contemplation. It's a letter I wrote to my future self.
A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.
Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
'star born brutal' is a diaristic exploration of masculinity after experiencing a schizophrenic breakdown. Static memories recur and dissolve in a search for understanding and quiet liberation.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
An epic portrait of the New York avant-garde art scene of the 60s.
A diary film about fathers and the legacies they leave behind after their passing. Starting from the home movies of a 1960s Sardinian family, a dialogue made of contrasts: on one hand, Franz Kafka's "Letter to His Father", and on the other, images depicting a joyful atmosphere and an ordinary family. Far from the idea of a distant and authoritarian patriarch, what we see is a present and engaged father, playing and posing with his children, bending to fit into the frame.
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
A young artist journals her surroundings in an attempt to discover the meaning of art.
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
A personal documentary questioning the ways in which family imposed narratives force us into roles that we spend our lives either rebelling against or conforming to.
An average nobody explores the struggle of self-recognition through the lens of a photographer who has spent his life documenting everything.
The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.