'Eigi Sylhet' is a journey of my self-discovery. With no narrative, this two-minute diary film paints a portrait of my resilience and artistic awakening, weaving together my self-portraits and cityscapes captured in 2018, a year I spent in oblivion, solitude and contemplation. It's a letter I wrote to my future self.
'Eigi Sylhet' is a journey of my self-discovery. With no narrative, this two-minute diary film paints a portrait of my resilience and artistic awakening, weaving together my self-portraits and cityscapes captured in 2018, a year I spent in oblivion, solitude and contemplation. It's a letter I wrote to my future self.
2024-05-02
0
IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.
An old man comes across a fascinating archive, then meets a woman who introduces him to the life of a banker, patron and philanthropist. A moving essay that is part documentary, part film diary.
The director goes to the city of Cuenca in Spain, Castilla-La Mancha for Erasmus. In this process, he records his experiences, days, and trips with a digital handheld camera and Super 8mm. A visual diary of the director is documented by witnessing the 2022 spring period in Spain and Portugal with images.
A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.
Somewhere between a diary and a filmed letter made while Caroline Champetier was shooting Benoît Jacquot's film L'Intouchable in India.
A passionate foodie loses his beloved hawker stalls to corporate pressure, he reluctantly turns to processed food he calls 'trash' in a moment of deep sorrow and disappointment as he grieves the loss of his favourite food stalls.
An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.
The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
Filmmaker Jonas Mekas films 160 underground film people over four decades.
An unhinged, diaristic examination of devastating friendship breakups.
Two teen boys living in an isolated house in the mountains contemplate their existence while maintaining a video diary of their daily lives.
A diary film about fathers and the legacies they leave behind after their passing. Starting from the home movies of a 1960s Sardinian family, a dialogue made of contrasts: on one hand, Franz Kafka's "Letter to His Father", and on the other, images depicting a joyful atmosphere and an ordinary family. Far from the idea of a distant and authoritarian patriarch, what we see is a present and engaged father, playing and posing with his children, bending to fit into the frame.
On January 1st, 1999, Caveh Zahedi started a one-year video diary. The idea was to shoot one minute each day. This is the result.
An epic portrait of the New York avant-garde art scene of the 60s.
Haunted by 9/11 a young woman obsessively watches airplanes from her flat on the 25th floor of a housing estate in London's impoverished Tower Hamlets district.
Inspired by the works of Jonas Mekas, Chantal Akerman and Angela Schanelec, Ive made what is my longest film diary so far. One that spans my two week vacation out to the New England region of North America. What i have here is another cerebral experience into a world that is so closely far away.
A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.
A young artist journals her surroundings in an attempt to discover the meaning of art.