While imagining the possibility of becoming a mother, Adele is moving between resistance and abandon, wrestling with a vortex of feelings she’s trying to understand.
While imagining the possibility of becoming a mother, Adele is moving between resistance and abandon, wrestling with a vortex of feelings she’s trying to understand.
2024-02-26
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In the short documentary GERD HANSEN, 55 Jochen Hick talks about an aging gay masseur and the times before AIDS. The film was premiered at the International Short Film Festival Oberhausen in 1987 and received the Prize of the German Film Critics.
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Two brains in jars exist exclusively in a game of PONG, oblivious to the world falling apart outside of their computer.
In the streets of New York, a young woman is relentlessly, stubbornly and desperately looking for a sofa. This is a funny story with some touching moments about holding on and letting go.
A lonely kid who lives in the countryside meets a strange boy who has a ragged umbrella over his head and there is always rain pouring over him. The rain boy is dazzled by the other kid's boots and offers three wishes in exchange for them.
Rudra has come back one morning, has return to his friend Saruar's home. He had disappeared from home leaving no cue, a year ago. Saruar first came to know about Rudra's disappearance in Rudra's mother's call. Then he had gone to Rudra's home and saw how his agitated parents and elder brother were tracing out reasons of his desertion. Rudra do not answer any of these questions of Saruar now. He become immutable and eloquent. He only replies that he is tired and cinema experience Rudra's exhaustion from this world's journey in a non-narrative way. Rudra's consciousness become aware of a bigger crisis. Rudra just express interest to go to sleep for a while.
An accidental encounter with an uninvited guest disrupts Alice's life. As her husband Tom's hidden secret gradually surfaces, Alice finds herself one of the bio-mechanical substitutes of his deceased wife.
Basking in a theatres lights, a realm of dust particles dances in unison. One sprite suddenly gets the chance to be centre stage…
A powerful, emotional and sometimes humorous look at the daily life of a prison inmate and a corrections officer.
Ana is running away from her hometown while Mar, an old acquaintance of hers, is coming back after a long absence. They find each other in the middle of the road and through the night, they make a journey amongst their fears to find out that still waters run deep.
A man follows a self-proclaimed "alien" on a mountain expedition, desperate to immortalise his dead wife through the discovery of a new insect species.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.