No Good for Anything(1908)

The Champion(en)

A horse racing comedy in which Mabel Normand plays the part of the driver after her lover has been bound and hidden away by the villain and his tools.

His Chum the Baron(en)

Smith's chum is a very poor Baron. Smith and the Baron are invited to a ball, and the Baron, not having evening clothes of his own, "borrows" Smith's dress suit. He is having the time of his life when Smith arrives, thoroughly angry, and taking the Baron in a room takes the clothes away from him. The Baron is in a terrible predicament, dodging around from room to room, as people intrude upon his hiding places. He tries to hide his face with a handkerchief, and a lady catches a glimpse of him as he dives under a bed. She screams in terror, thinking he is a mad man, and then the poor Baron is chased all over the house. Someone telephones for the police and they assist in the capture and lead him away.

Cohen's Luck(en)

A winning lottery ticket and the theft of half of it leads to both joy and a lot of trouble for former coworkers Abe and Kitty as well as Abe’s daughter Minnie and her true love David Moss.

The Ministry of Ungentlemanly Warfare(en)

During World War II, the British Army assigns a group of competent soldiers to carry out a mission against the Nazi forces behind enemy lines... A true story about a secret British WWII organization — the Special Operations Executive. Founded by Winston Churchill, their irregular warfare against the Germans helped to change the course of the war, and gave birth to modern black operations.

The Blooming Angel(en)

Floss Brannon, expelled from college for mischievous conduct, marries Chester Framm, a struggling young student who aspires to be an orator. When Chester's salary as an insurance clerk proves insufficient for the couple's needs, Claire invents a complexion cream called "Angel Bloom." Deciding to combine Chester's oratory prowess with the promotion of Angel Bloom, Floss rents an elephant, coats it with the cream and plans to have Chester pitch the product from the back of the animal.

A Matrimonial Boomerang(en)

A couple of rowdy gamblers, a cowboy, and a woman undercover.

According to Hoyle(en)

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

The Pretenders(en)

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

Americký souboj(cs)

Cholera v Praze(cs)

Rozvedená paní(cs)

Much Ado about Nothing(cs)

Young lovers Hero and Claudio, soon to wed, conspire to get verbal sparring partners and confirmed singles Benedick and Beatrice to wed as well.

Láska a dřeváky(cs)

Zamilovaná tchýně(cs)

To nejlepší číslo(cs)

Jarní sen starého mládence(cs)

Married on Credit(en)

This ceremony requires greenbacks but the groom came up short.

The Misleading Widow(en)

The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.

Bread on the Waters(en)

A son, down and out on liquor, finds redemption.

Bright Lights(en)

The manager of a small town hotel installs a cabaret in an attempt to achieve the standard set by restaurants in the large cities. His effort is ludicrous because of the fact that his talent is all recruited from the help in the hotel. Roscoe, the cook, is forced to appear in a dress suit and when Al St. John appears from the bar there is a lively rivalry between the two for the applause of the crowd. Mabel, the waitress, vies with a professional dancer from the city. Into this setting comes William Jefferson, a polished sharper, who takes the innocent Mabel by storm.