A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?
Self
How the mothers of a deprived suburb of Marseille will create a solidarity committee under the aegis of the parish priest. Gathered in assembly, they will invent a solution to the endemic misery of their city.
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
Fernando and Margarita are a peculiar couple who base their lives on a strange and perverse game. He orders everything he wants and modifies reality at will, and she obeys his orders as best she can. This game will take the protagonists to the limit. In the film, both characters are played by various actors and actresses.
André is the powerful owner of an illegal casino and popular gambling ("Jogo de Bicho") on the streets. His gang is in war against the gang of Fiore that is trying to steal the gambling establishments of André. When the prostitute Margot sees her old friend and ex-con Sarja working as a waiter in the casino where she tricks clients, she invites him to stay with her in her apartment. When André, who is gay, sees the handsome Sarja, he falls in love with his employee that becomes his protégée. Meanwhile, Sarja and Margot plot to steal the high stakes on St George's Day and they invite André's henchman Lobão and two gangsters to participate in the heist. Meanwhile Fiore also plots to steal André's money with his gang.
A beauty queen called Sheila Anderson wins a part in a Hollywood motion picture. The film turns out to be a cheap nudie film, she is then shunned by the theatrical community and ends up working as a nude model. Soon she is old news and struggles to get work, resulting in abject poverty.
A suicidal woman makes a call for help with unexpected results.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
It is a cine comedy following "The Lady from the town". Olga is getting ready to go to a meeting of the district women activists, where she will relate her own experience in the struggle against conservative concepts. During a warm atmosphere, Olga sings the first lullaby to her newborn nephew: "Once upon a time there was an Olga who posed as a lady.Time passed by and the lady has become one of us, a comrade from the country"
On Christmas Day, 15 year old David finds out that his boyfriend, Jonathan has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time.
Elfette has to save the day when Santa Claus is kidnapped by the mafia, who try to take over Christmas.
Anton shows his true self for Bea, who has to solve an awkward situation.
An unidentified airship crashed in a peaceful little Porong Porong forest. Pororo and his friends find a little dinosaur 'Alo', which sleeps in an egg-shaped airship that crashed in the forest. When they opened the lid of the airship, the little dinosaur ‘Alo’ awakened. But he can not remember anything other than his own name. Eddy repairs the airship that Alo rides on, and as soon as he powers on, the airships that start working swallow Crong and Alo and disappear from the sky. Can Pororo and his friends save their friends and dinosaurs and go back to home?
A singer and her apartment manager get mixed up in a creepy Park Avenue murder and find themselves facing danger at every turn.
Walker takes us on a personal journey into a world of myth and imagination that he learned from his grandmother. He travels from the Moors of Devon and the Highlands of Scotland to the brooding Celtic landscapes of Ireland and the intimate hills of Cape Breton, in his search of this potent “otherworld” of the imagination.
Pierre, a young man in his thirties, grew up with his two brothers in a city in the suburbs of Paris. He still lives there today with his wife, Deborah. His everyday life is divided between a job where he is exploited, discussions with his friends and brothers, family meals and unpreventable altercations with the cops.
Millions of Muslims flee to Lahore in the newly created state of Pakistan, prompted by the partition of British India.
After crossing 11 countries irregularly to seek asylum in Canada, Peggy, Simon and their three children are waiting for the hearing that will determine whether they get refugee status or not. Having fled political repression in the Democratic Republic of the Congo, the family tries to rebuild a peaceful life in Montreal, in spite of the constant threat of deportation. Between ghosts from the past, hopes for the future, a complex legal maze and seemingly endless trial, the film delves into the struggle of the Nkunga Mbala family to remain in Canada. Offering unprecedented access to their hearing before the Immigration and Refugee Board, the film unveils the opaque process of claiming asylum in Canada.
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
Since 24 February 2022, when the Russian invasion of Ukraine began, several million refugees have already been taken in by Poles. In the Lublin region, near the Bug River, which marks the border with Ukraine and Belarus, farmers, shopkeepers, a photographer, and a teacher tell how their daily lives have been transformed by the outbreak of this war.
Refugees in Their Own Land is an intimate portrait of a man and what belongs to him, an inner struggle forged by the forces of nature.
A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?
STARTING FROM ZERO documents the journey of three refugees — a female boxer, a TV personality and a journalist — caught in the crosshairs following the U.S. military’s sudden withdrawal from Afghanistan. Fleeing for their lives, they are transported to an unlikely luxury compound in Qatar before making their eventual journey to the United States and Germany, where they must restart their lives and confront the deferment of their dreams.
It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.
On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.
A U.S. Marine plots a terrorist attack on a small-town American mosque, but his plan takes an unexpected turn when he comes face to face with the people he sets out to kill.
The Syrian Civil War has created one of the greatest humanitarian crises in the last 60 years. REFUGEES: ENEMIES OR VICTIMS? investigates the very important question of whether the United States is doing enough to uphold its long tradition of helping those in need.
After 11 strangers unite to help a gay youth escape life-threatening violence in Uganda, the unexpected pandemic and conflicting opinions over his best interests test the limits of their commitment and jeopardize his fresh start in Canada.
"I Am Rohingya" is a chronicle of the journey made by 14 young refugees, who share their endeavouring experiences amidst the Myanmar internal genocide in the Burma region, with Rohingya muslisms being the target. Sharing their personal lives and showing the struggles in the adjusting process of starting a new life in Canada, the children will be tasked with depicting on stage the horror of real life events. It's upon these youth to share the stories of their people and be sure no one forgets about them.
This film is a poetic exploration of the human spirit, resilience, and the transformative power of art in the face of unimaginable trauma.
Eighteen-year-old Shahnura is about to graduate from high school. Her mother spends hours at the dining table while Shahnura is at school, wondering if her mother, sister, and brother are still alive. Living in Germany without a passport or nationality, she listens to the harrowing stories of her mother and two friends who have experienced imprisonment and re-education camps in China. These accounts reveal the suffering, human rights abuses, forced adoptions, and the grim reality of the camps where the predominantly Muslim Turkic Uyghurs are tortured and mistreated.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.
I AM GOLDEN KAREN is a coming-of-age story of Thaawa, a Karen refugee in search of his identity as a migrant in Thailand. In between puberty and adulthood, he nurtures a strong desire to return to his motherland, Karen State, Burma.