
Winner of the Jury’s Special Mention at the 18th Al Ard Film Festival in Sardinia, Bank of Targets documents Israel’s targeting of civilian infrastructure in Gaza in 2021. Through a first-hand account of the bombing of a residential building, Sarraj highlights the efforts of journalists to create a record of war crimes as they unfold. Sarraj was killed in his home by an Israeli air strike on 22 October, 2023.

Winner of the Jury’s Special Mention at the 18th Al Ard Film Festival in Sardinia, Bank of Targets documents Israel’s targeting of civilian infrastructure in Gaza in 2021. Through a first-hand account of the bombing of a residential building, Sarraj highlights the efforts of journalists to create a record of war crimes as they unfold. Sarraj was killed in his home by an Israeli air strike on 22 October, 2023.
2021-01-13
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7.7An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
7.4Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
7.5A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
8.614 years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.
7.0A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.
6.8An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.
6.5Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
6.7A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.
10.0The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
0.0We are taken behind the scenes of a play in-the-making: The play is Samuel Beckett’s WAITING FOR GODOT—starring a group of young 48-Palestinians. One by one, we are introduced to a variety of characters: the play’s director, actors, and other ordinary people. As we delve further into each of their lives, the film reveals the startling parallels between the themes of the play and their own. Everyone is waiting for something: a permit to build a house, better work conditions, a starring role in a film. Much like Waiting for Godot, our heroes are awaiting Faraj Allah… something that may or may not come.
0.0Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.
8.3When two young American Jews raised to unconditionally love Israel witness the mistreatment of Palestinians, they battle the old guard to create a new movement opposing Israel’s occupation, and recentering Judaism itself.
1.0A poignant, sometimes sad, sometimes painful, sometimes humorous, often absurd story of a multiple journey: the journey of loss as the director’s mother Aida struggled with losing herself to Alzheimer’s disease, but finding solace in her repeated “returning” to the Yafa and Palestine of her youth; the journey of the loss of a parent; and the ultimate return journey back to Yafa where Aida would finally find rest and be herself once more.
6.0Raised in a refugee camp in the West Bank while her mother was in prison, Walaa dreams of being a policewoman, wearing a uniform, avoiding marriage, and earning a salary. Despite discouragement from her family, Walaa applies - and gets in. But her own rebellious behavior and a complicated relationship with her mother are a challenge, as are the circumstances under which she lives. Following Walaa from 15 to 21, this first-ever look inside the Palestinian police academy brings us the story of a young woman navigating formidable obstacles, learning which rules to break and follow, and disproving the negative predictions from her surroundings and the world at large.
7.1Intent on shaking up the ultimate 'sacred cow' for Jews, Israeli director Yoav Shamir embarks on a provocative - and at times irreverent - quest to answer the question, "What is anti-Semitism today?"
7.6On 5 September 1986, Palestinian terrorists stormed Pan Am Flight 73 as it stalled on the Karachi Airport tarmac. Exploring what happened over the next 16 hours, including the death of 21 passengers, in a day that would change terrorist operations for ever.
7.8When, in the late 1990s, Israeli student Teddy Katz exposed the massacre of Palestinian civilians by Israeli forces in the village of Tantura, in May 1948, during the first Arab-Israeli war, he was initially praised for his pioneering work; but he was soon infamous and branded a traitor. Decades later, incendiary new evidence emerges that corroborates Teddy's findings.
8.0Three new films featuring the biggest climbing and adventure stories of the year: ADN - SEB BOUIN: 29-year-old French sport climber Seb Bouin quietly climbed the elite ranks, culminating in his attempt to establish a long slope in a cave overhang in the Gorges du Verdon in France / CLIMBING RESISTANCE: In the hills torn by the Palestinian conflict, young Palestinians embrace rock climbing as a necessary respite from the oppression of the occupation Israeli. American writer and climber Andrew Bisharat visits the West Bank to explore his own roots and the power of climbing to transcend existence / BURNING THR FLAME: Big wall free climbing masters Babsi and Jacopo seek their most Biggest challenge so far: a free ascent of "Eternal Flame", a 3,000 foot route on the legendary Nameless Tower in Pakistan's Karakoram Range.