An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
In 2019, 1.2 million people stepped off a cruise ship into the small, south-east Alaskan town of Ketchikan. The next year, in 2020, zero did. After decades of diligent work building a sleepy fishing, mining, and logging town into one of the most sought after cruise destinations in the world, the COVID-19 pandemic has transformed Ketchikan into an empty shell—lined with restaurants, shops, and attractions for the visitors who no longer come. Now, the town must find a way to survive without its key economy until the day arrives when cruise visitors once again pour into its docks.
A grandmother, mother, and daughter quarantine together in a Tribeca apartment as they laugh about life over wine.
We no longer see children running around playing in the alleys of Seoul. Starting from elementary school, children go to private classes after their school. However, we see these people who are making efforts to protect children’s right to be a child and play like a child.
Escape from everyday life in freedom and community and live utopias - for many organizers and artists, the secret of the music festivals that make culturally weak Mecklenburg-Western Pomerania a place of pilgrimage for tens of thousands of people every summer. But instead of freedom, community and utopia, there was one thing above all in the festival summers of 2020 and 2021: silence.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
In 1970s New York, photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become an influential godmother to a global movement of street artists.
Her celebrated photograph Migrant Mother is one of the most recognized and arresting images in the world, a haunting portrait that came to represent the suffering of America’s Great Depression. Yet few know the story, struggles and profound body of work of the woman who created the portrait: Dorothea Lange
On the 19th of March 2020, thousands of passengers disembarked from the Ruby Princess cruise ship in Sydney harbour. Their “luxury” cruise holiday had been cut short after authorities announced cruise ships would be banned from Australian ports as part of measures to stop the spread of coronavirus. Passengers mingled in groups on the shore before dispersing around the country and overseas. Far from protecting people, the release of the Ruby Princess’s passengers instead triggered a public health emergency with the cruise ship now named as the single largest source of Australia’s coronavirus infections.
Different experts make a stand against today's putatively criminal and harmful health system, focusing on Anthony Fauci and his role in the shaping of the AIDS and COVID-19 epidemics.
"When I first started to photograph in dark and unfamiliar places all over Singapore in 2003, I had no idea that those images I made would come to define me as a photographer. Born out of a curiosity of the unknown, as well as a young photographer’s restlessness, While You Were Sleeping grew to say as much about our country as it did of me. Eighteen years, two books and two exhibitions later, Singapore is now a very different place. Many of the locations I visited in the early 2000s, once alien, are now completely transformed." – Darren Soh, photographer
Through a film letter, Lara communicates with her great-grandfather Paco, whom she barely knew. She explains to him what has happened since he died.
Unfortunately, every year eight million people die quietly due to Mental Illness. It's urgent to decrease this number. It's urgent to help. It's urgent to listen, to observe and to speak up. It's urgent to break this taboo.
In a time when the world needs greater cross-cultural understanding, WUHAN WUHAN is an invaluable depiction of a metropolis joining together to overcome a crisis.
Never-before-seen footage shows how our living in lockdown opened the door for nature to bounce back and thrive. Across the seas, skies, and lands, Earth found its rhythm when we came to a stop.
A promotional documentary film starring Heather Hite, a Cleveland based photographer. Heather speaks about her approach to erotic photography in the lead up to the release of her first photography collection, Heavy Petting, from With an X Books.
When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century
The pandemic transformed the way we carried out our day by day, in the spaces we used to be and in the ways we related. My girlfriend and I started trying different ways to spend time together like we used to under these new rules.
In 2011, photographer Tanja Hollander decided to visit each one of her Facebook "friends" (all 626 of them) in their homes and make formal portraits of each of them. Armed with her cameras and iPhone, Tanja traveled throughout the U.S. and around the world for 5 years, meticulously documenting her experiences in real time and creating a historical narrative, both visual and written, along the way. Her project is an exploration of friendships, the effects of social networks, the intimate places we call home and the communities in which we live.