Everything In Between(2019)

Dents Meadow: The Final Days of John Wilkes Booth(en)

This short documentary follows historian Kate Taylor as she recounts John Wilkes Booth's final attempt to escape across the Potomac River.

Cats & Dogs(en)

In September 2022, Bengaluru made national news when the IT hub region of Bellandur faced major flooding resulting in a nightmare for all its residents. The idea of the film is to explore the two main factors contributing to this - the area’s topography and the rapid urbanization interfering with the natural water network - using visuals of a sprawling, developing metropolis contrasted with that of the chaos and breakdown of essential services that happened during the floods.

No Country For Young Men(it)

A retired bricklayer wants his grandson, who lives hundreds of miles away, to stay with him. Will he convince the young man despite the lack of opportunities in the country?

At The Helm | The Making of Lotawana(en)

This hilarious, behind-the-scenes adventure shows the unforgettable, year-long production that Trevor Hawkins and his skeleton-crew of endearing renegades went through to bring their gritty film, Lotawana, to life.

Anima Mea(en)

When Mariana connects the Military Dictatorship's violent legacy as the structure behind Brazilian families, she embarks on an introspective journey to deconstruct her family life growing up in Brazil.

The Neverending Party(fr)

A look-back at popular French movie "La Boum" (The Party).

Nothing As It Seems: The Films of Nicolas Roeg(en)

Documentary on Nicolas Roeg

Family Legend(en)

In 1916, twenty-year-old Marion Wong wrote and directed The Curse of Quon Gwon, the earliest example of an Asian American film. What initially appears to be a story about a Chinese family cursed for allowing Western influence through the door, proves to be an illuminating examination of cultural diaspora years ahead of its time.Sandwiched between two global pandemics, this documentary follows the Wong family descendents as they secure The Curse of Quon Gwon its place in film history and new revelations rise to the surface.

Alexa Boulton: Cinema(fr)

Alexa Boulton interviews the students and teachers of Kelvin High School to uncover the possibilities for the future of cinema

Sala de Roteiristas(pt)

What is the difference between a story and a good story? In this short documentary, ten of the greatest screenwriters in Brazil answer this and other questions, guiding us through the universe of creative writing and all its possibilities.

It Conquered Hollywood! The Story of American International Pictures(en)

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

The Crazy Life(es)

Reflects a depressing and hopeless reality by following some of the members of "la dieciocho", the so-called 18th Street gang in a poor San Salvador neighborhood.

One Book at a Time(en)

Sarah Kamya is a school counselor in New York City. She began the project Little Diverse Libraries on June 3rd and has already raised over $13,000, supported black owned bookstores, and has distributed 775 books to Little Free Libraries across all 50 states. Sarah is helping educate communities while most importantly amplifying and empowering black voices.

Look Closer: The Rise and Fall of Robert Benfer(en)

In 2013, online clay animator Robert Benfer scammed hundreds of fans out of thousands of dollars and has continued to become less of the independent film icon he used to be, though his unique influence on video creators remains to this day. This film not only sheds light on how Benfer's films impacted young filmmakers, but also how a talented independent artist can fall from grace no matter how obscure they are.

Niños del paraíso(es)

In the Juan Fernández Archipelago, 700 kilometers from the central coast of Chile, is Robinson Crusoe Island. There, a group of children who are in their last year of primary school will soon graduate, leaving the island where they learned to live.

Fieldwork Footage(en)

Under the tutelage of anthropologist Franz Boas (her former Columbia professor) and Harlem Renaissance arts patron Charlotte Osgood Mason, Zora Neale Hurston spent nearly two years, from 1927 to 1929, studying the folkloric customs, work songs, spirituals, and vernacular language of African American communities along the River Road and from New Orleans to Florida.

K-RRETE(es)

Raiz e Alma(pt)

Agnes Martin: With My Back to the World(en)

A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.

John Singer Sargent: Fashion and Swagger(en)

Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.