Les petites mains invisibles(NaN)

Pop féminisme : des militantes aux icônes pop(fr)

An overview of 21st-century feminism through the lens of pop culture.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Railway Station(pl)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Football And Immigration, 100 Years Of Common History(fr)

Football is both the place, the crystallization of sporting passion and the witness of identity imaginations. It is also an interesting and relevant area for discussing the migration issue. From the 1930s to the present day, football, notably with the composition of the French team, has reflected the plurality of the French population. Raymond Kopa, Michel Platini, Zinedine Zidane, Basile Boli... these four footballers alone illustrate the four major waves of immigration that France has experienced.

Wild France(fr)

A documentary that shows the different fauna that populates natural habitats of France, and the people that aims to protect and preserve them.

DGSE : La Fabrique des agents secrets(fr)

The Other Song(en)

Journeying across Varanasi, Lucknow, and Muzzafarpur in India, this documentary film traces the lost traditions and the culture of tawaifs (courtesans of North India), particularly through a song sung by Rasoolan Bai, "Lagat karejwa ma chot, phool gendwa na maar" and its lesser known, earlier version "Lagat jobanwa ma chot, phool gendwa na maar" (recorded in a 1935 Gramophone recording). Weaving the past with the present, the film spans between personal stories as it interacts with historical events, ultimately leading to the decline of a great art form.

Twenty Show: The Film(fr)

Twenty Show was the first "user generated film", edited from fictional and real video-blogs. A unique experience initiated on the Internet, a mockumentary that paints a generational portrait of young French people in their twenties.

Boobs(en)

A witty, forthright dive into the wonderful world of boobs by singer and filmmaker Elizabeth Sankey - from enhanced boobs to 'free the nipple', bras, Baywatch, and the stars of reality TV.

The Willmar 8(en)

Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.

After Winter Comes Spring(de)

A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

Linda's Film on Menstruation(en)

This is an educational short released by the Los Angeles Public Library explaining what to expect when you get your first period.

Lumiere's First Picture Shows(en)

An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.

Dans le vent(fr)

Short subject on how fashion is created-- not by the great couturiers, but on the street.

Foccart, l'homme qui dirigeait l'Afrique(fr)

The Blues: Another Story of France(fr)

This documentary charts 20 years of the French national soccer team, Les Bleus, whose ups and downs have mirrored those of French society.

Landscape of our Body(vi)

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Alice Walker: Beauty in Truth(en)

The compelling story of an extraordinary woman's journey from her birth in a paper thin shack in the cotton fields of Georgia to her recognition as a key writer of the twentieth Century.Walker made history as the first black woman to win a Pulitzer Prize for her groundbreaking novel, The Color Purple.

Crude Oil(zh)

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

Daraya: A Library Under Bombs(fr)

At the heart of the Syrian civil war, a group of activists created an underground library in the besieged outskirts of Damascus. After years of blockade, they were forced to leave their city. But they managed to save their videos illustrating a unique experiment of cultural resistance under the bombs. This film, built between the past and the present, follows the story of three friends who met during the 2011 revolution and never gave up on their cultural resistance and peaceful struggle. Despite ceaseless bombing, they not only saved books from the rubble, but created a secret library, which quickly became a safe haven for peace, freedom and democracy: a special experience that they filmed and documented meticulously. Separated by war and exile, they are striving to reunite with each other. They reminisce on the past and tell us the extraordinary story of the library, based on dozens of hours of video archives. “A Library Under Bombs” is a story of hope and survival.