Caleidoscope from Baja(1968)

Dogville(en)

When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.

Funeral Tape(en)

A man sifts through his dreams, dilemmas, memories, secrets and the poetics of love as he harbours his greatest desire, to simply die.

Bed & Breakfast(en)

After a feverish dream, a paralysed dreamer finds themselves trapped within a purgatory of their sleep, as they begin to fuse with their bed. The purgatory begins to refract the dreamers mind, as they are confronted with multiple incarnations of themselves struggling to awake. Bed & Breakfast is inspired by the neurodivergent experience of procrastination, and inertia. Questioning the nature of memory, identity, and the fabric of reality, by plunging you into the psyche of a paralysed dreamer where reality is far repressed.

From 9 to 5(en)

Passing vignettes of the lives of workers and citizens, what home means to them, and inter-city transportation...

Mirror(ru)

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Begotten(en)

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

The Beaches of Agnès(fr)

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Vert Torpeur(en)

An abstract short film that sheds light on the bad habits of the society in which we evolve, but in a dark satiric & cynical way.

Empty(en)

Matthew (Steve Verhulst) an older, self-absorbed, boring, travel worker meets Anna (Sofia Sparta) a young, wild, multifaceted artist that is looking to push the boundaries of society for the acceptance of her own work.

The Hunched Donkey(es)

After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.

Oh! My Mother(ja)

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Godard by Godard(fr)

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

Letter(ja)

A teenager leaves his classmates and heads home for the evening. Feeling frustrated and lonely, he sends a neutral text-message to a friend. From this point, this one-man DV experimental film presents a real-time exchange of incoming and outgoing messages, depicting a digital-era study of text-message relationships. Letter is the directorial debut of Japanese artist, filmmaker, and scholar Sasaki Yusuke when he was only 17. The film screened at the 2004 International Film Festival Rotterdam and won the Grand Prix at Image Forum Festival Tokyo in 2003. Sasaki holds a doctoral degree from the Tokyo University of the Arts and is currently a lecturer at Tottori University.

O Mel é Mais Doce Que o Sangue(pt)

A Catalyst(en)

A teenage boy is forced into making a decision within 60 seconds between a possible death, or being pulled into an unknown reality.

Flower of Flesh, Celestial Body(es)

Now and in the time of our death(en)

Observing all the world in a flower; an ecstatic study of colour, a hum of petals opening, a cacophony of bells and saintly icons. ‘Ahora y en la hora de nuestra muerte’ is a hymn to the universal found in the minutiae of nature

To the day I die (songs of the sea)(en)

A fever dream of the faces of love. Six circles of love. A kind of death and rebirth experienced within each circle. Each song in the short film evokes a realm of what love can feel like to a human being, the metamorphosis through the experience of Love. Faced with the person that was at every metamorphosis, there is a certain death, and certain transformation. We watch her move without words towards salvation.

It's Not Me(fr)

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

Normal Porn for Normal People(en)

"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.