Serafinka
Průcha (singing voice)
Miss Záleská
Škarohlíd
Toníček
Ruth
Kokeles
Baruška
Blažej
French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.
A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.
Lehar romantic operetta set in Russia about a beautiful dancer who is set up to attract a tsar's son, and they fall in love. Beautiful settings and wonderful music.
This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.
Lotfi Mansouri's spectacular last production as General Director of The San Francisco Opera with Yvonne Kenny making her debut in the title role, new dialogue specially commissioned from Pulitzer Prize-winning playwright, Wendy Wasserstein and an original ballet to set the scene ‘Chez Maxime’ bringing fresh insight into Lehár's classic operetta. This production also features another world premiere, Njegus's song, ‘Quite Parisian’.
Captain Stanton, who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.
A British musical film directed by Victor Hanbury and Ladislao Vajda
As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.
In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko.
This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.
A musical drawing room farce set in Paris in October, 1925. Gilberte, in middle-age, flirts with men but loves her husband Georges, wishing he were more demonstrative. He's negotiating a deal with an American, Eric Thomson, who turns out to be Gilberte's first husband from an annulled and secret stateside marriage. Along with her sister Arlette, Gilberte begs Eric not to tell Georges about the marriage. Meanwhile, a young artist, Charly, pursues Gilberte while Arlette tries to match him with the young Huguette, who loves him. Will Eric play along or try to re-win Gilberte's affection? Can Gilberte play one off against another? And who will manage to kiss whom on the lips?
Eisenstein gets in trouble for shooting a grouse. He is told that he must go to prison for his crime. However, his friend has invited him to an aristocratic ball. Eisenstein, despite being married, wants to go to the ball to meet women. Eisenstein lies to his wife. He tells her that he is going to prison but actually he goes to the ball. His story arises the suspicion of his wife. His wife devises a plot to catch her womanizing husband.
Renée Fleming lights up the Met stage as Hanna Glawari, the fabulously wealthy widow of the title in Lehár’s beloved operetta, set in Paris and seen in a glittering production directed and choreographed by Broadway’s Susan Stroman. Nathan Gunn is Danilo, Hanna’s former flame, who is supposed to woo and marry her in order to keep her fortune in their home country of Pontevedro. Kelli O’Hara sings Valencienne, the flirtatious young wife of the Pontevedrian ambassador in Paris, Baron Zeta, played by Thomas Allen, and Alek Shrader is her suitor, Camille. Andrew Davis conducts the waltz-rich score, and the new English translation is by Jeremy Sams.
A young girl becomes lost in a department store during the Christmas shopping rush. The frightened child is comforted by a department store Santa Claus who tells her a tale of storybook characters brought to life - of Tommy Tucker's love for the lovely Jane Piper and the cold-hearted villainy of evil Silas Barnaby. Through the girl's dreams, the viewer is transported to Toyland. Based on the classic Broadway operetta by Victor Herbert and Glen MacDonough, this was its second live television special production, with some new cast members and some returning.
This outdoor performance of Carl Zeller's celebrated operetta was staged at the Seefestspiele Mörbisch in 1998. Seefestspiele Mörbisch is an operetta festival held annually at Mörbisch am See in Austria. In the story, Adam, a handsome bird-seller from the County of Tyrol, finds himself in the Rhineland, where he and a village postmistress become entangled in various romantic intrigues and misunderstanding at the prince's court.
In this three-act operetta by Hungarian composer Emmerich Kálmán, a dashing and mysterious circus performer is hired by a disappointed suitor of Princess Fedora Palinska to pose as a nobleman and marry her. This 1969 performance was produced for West German television.