Giuditta

The Blue from the Sky(de)

Out of unlikely circumstances an underground ticket vending girl and a mail pilot fall in love.

Offenbach: Barbe-Bleue(fr)

Die Fledermaus(de)

Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.

Where the Lark Sings(de)

Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.

Der Vetter aus Dingsda(de)

Město šťastných lásek(cs)

The Desert Song(en)

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

Song of the West(en)

Captain Stanton, who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.

Bride of the Regiment(en)

As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.

Natalka Poltavka(uk)

This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.

Up in Central Park(en)

A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.

The Circus Princess(de)

In this three-act operetta by Hungarian composer Emmerich Kálmán, a dashing and mysterious circus performer is hired by a disappointed suitor of Princess Fedora Palinska to pose as a nobleman and marry her. This 1969 performance was produced for West German television.

Where Is This Lady?(en)

A British musical film directed by Victor Hanbury and Ladislao Vajda

Orpheus in the Underworld(de)

This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.

Fatinica(sk)

Wind of Freedom(ru)

Based on the operetta of the same name by Isaak Dunayevsky. The port town of one of the small southern countries. After the Nazi occupiers left, the port's berths were empty, the steamers did not smoke, cargo cranes stood. Fearing retaliation for collaborating with enemies, port owner Georg Stan fled the city. After waiting a while and securing the support of local authorities, Stan nonetheless returns - and loading operations begin in the port. While loading oranges, the sailor Yango and the beautiful Stella are preparing for the wedding. Suddenly, Stan makes a proposal to the girl and tricks her into agreeing. Upon learning of the deception, the girl runs away to Yango. Having discovered weapons intended to support fascism in the drawer of the hold, the heroes do everything possible to make the boxes fall to the bottom of the sea.

The Metropolitan Opera: The Merry Widow(en)

Renée Fleming lights up the Met stage as Hanna Glawari, the fabulously wealthy widow of the title in Lehár’s beloved operetta, set in Paris and seen in a glittering production directed and choreographed by Broadway’s Susan Stroman. Nathan Gunn is Danilo, Hanna’s former flame, who is supposed to woo and marry her in order to keep her fortune in their home country of Pontevedro. Kelli O’Hara sings Valencienne, the flirtatious young wife of the Pontevedrian ambassador in Paris, Baron Zeta, played by Thomas Allen, and Alek Shrader is her suitor, Camille. Andrew Davis conducts the waltz-rich score, and the new English translation is by Jeremy Sams.

Babes in Toyland(en)

Based on the classic Broadway operetta by Victor Herbert and Glen MacDonough, this live television special became an annual Christmas tradition with rotating cast members.

Gypsy Princess(de)

Kálmán Imre's beloved operetta comes to the screen in this comedy of music, marriage and class set in Budapest and Vienna before the outbreak of the First World War, recorded at the Budapest Opera in 1963.

La Vie parisienne(fr)

La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.