Movie: Kvinnor, kvinnor, kvinnor

Top 1 Billed Cast

Susann Frennberg
Susann Frennberg

Narrator (voice)

  • HomePage

  • Overview

    Documentary examining the way women are shown and described in newsreels from 1930-1960.

  • Release Date

    1997-07-09

  • Average

    0

  • Rating:

    0.0 starts
  • Tagline

  • Genres

  • Languages:

    svenska
  • Keywords

Similar Movies

The Judge
61%

The Judge(en)

2017-09-10

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Bright Nights
70%

Bright Nights(en)

1990-11-29

In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. (fib)

Welcome to my Darkside: Women in Horror
0%

Welcome to my Darkside: Women in Horror(en)

2010-09-25

The horror film genre’s most iconic Scream Queens are featured in this documentary about women’s roles and triumphs, both on-camera and off.

And yet they were there
0%

And yet they were there(fr)

2021-12-31

Dominique, Suzanne, and Annette: three women who participated in the adventure of the Medvedkine groups (Besançon, Sochaux, 1967-1974). In those same years, the lives of our grandmothers and mothers experienced decisive changes: they worked outside the home and revolutionized customs. A group of Besançon students are investigating those events and questioning their own family memory.

The Woman and the Car
0%

The Woman and the Car(en)

2018-10-14

Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'

Requiem for a Tribe
0%

Requiem for a Tribe(fa)

2024-06-14

Hajar is a 55-years-old Bahktiari woman from Iran who is betrayed by her family and forced to abandon her nomadic lifestyle. Climate change, urbanization and social issues have drastically diminished the traditional migratory activities of the Bakhtiari tribe from Southwestern Iran.

SPEAKABLE
0%

SPEAKABLE(en)

2024-07-12

Two girls in their early 20s explore topics of femininity, girlhood, and normalized violence perpetrated on women.

Jodie Promo
0%

Jodie Promo(en)

1995-01-01

a chronological coming attractions overview of Jodie Foster’s career

Corpo Presente
0%

Corpo Presente(pt)

2024-10-31

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

The Good, The Bad, and the Beautiful
100%

The Good, The Bad, and the Beautiful(en)

1996-03-17

A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.

No Father, No Mother
0%

No Father, No Mother(pt)

2018-11-29

Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.

In These Pages
100%

In These Pages(bn)

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

Beyond Ratings
0%

Beyond Ratings(hi)

2024-02-29

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

Because We Have Each Other
0%

Because We Have Each Other(en)

2022-08-04

Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the local RSL, marry and unite their families, Brady Bunch style. Now grown up, Becky (famous for being one of only 80 people in the world with Highly Superior Autobiographical Memory), Jessica (a comedian living with depression), Brendan (who aspires to take over Buddha’s repair shop), and young Kylie and Dylan laugh, cry, contemplate existence and dream big with their parents, finding joy and stability in one another as they face immense change.

Brainwashed: Sex-Camera-Power
60%

Brainwashed: Sex-Camera-Power(en)

2022-10-21

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

Reason for Seeing: Correspondence I
0%

Reason for Seeing: Correspondence I(es)

2022-06-17

When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.

$avvy
80%

$avvy(en)

2021-04-01

$avy investigates the historical, cultural, and societal norms around women and money.

Varda by Agnès
79%

Varda by Agnès(fr)

2019-03-28

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

Island Home Country
50%

Island Home Country(en)

2008-08-02

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman
57%

I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman(en)

1988-04-01

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.