Because We Have Each Other

The Welles Raft(pt)

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

Become Successful and be the Master of the World(en)

Filmed mostly on a Mini DV camera Gavin has thought of a quick way to become successful and be the master of the world but he has to wait for it all to fall into place… he has to wait for the postman to start production documenting the process of being master of the world.

The Executive Empress(en)

The Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.

...E Continuano a mangiare Fagioli(it)

The Factory(hi)

This documentary film traces the struggle of Indian auto workers of the Maruti Suzuki factory in Manesar, near Delhi, in forming a union. Investigating the underbelly of class conflict and exposing a widespread system of injustice, the film focuses on the repression faced by the workers and their criminal prosecution.

It Conquered Hollywood! The Story of American International Pictures(en)

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

India on Film: 1899 – 1947(en)

As part of the 2017 UK-India Year of Culture, the British Council and British Film Institute share a unique collection of films documenting the sights and culture of a bygone India. Filmed between 1899-1947, and preserved in the BFI National Archive since then, these rare films capture many glimpses of life in India, from dances and markets, to hunts and pageantry.

Shohei Imamura: The Free Thinker(fr)

Documentary about Japanese film director Shohei Imamura.

War Baby(en)

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

Les dents de la mer: Un succès monstre(fr)

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

The Ring Thing(en)

When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.

A Cursed Man(en)

Filmmaker Liam Le Guillou seeks out an occult curse to an answer to the question "is magic real?", forcing him to question the nature of reality and belief in this dangerous, never-before-seen, dark social experiment.

Cinéastes de notre temps : Norman McLaren(fr)

Visconti: La verdad del melodrama(es)

Sick Girls(de)

In recent years, the number of diagnoses of attention-deficit hyperactivity disorder has skyrocketed. What are the reasons? Does a society geared towards efficiency use the label ADHS to weed out anyone who does not fit its frames? What are the consequences of the fact that medication treatment has become almost ubiquitous? Could Ritalin and the like have become the doping of the performance society?

Shadow Boxing(en)

By delving into the life of the girl behind the fighter, Shadow Boxing illuminates the heart of a true warrior, showcasing her courage and resilience long before she enters the ring.

Plunging On Alone: Monte Hellman's Life in a Day(en)

Monte Hellman was born in 1932. By 1986 he made eight features, but had not directed for six years. I had made as many documentaries, but had not turned a foot of film through a camera for two years. I decided to break the silence by spending a day with him. Nine rolls were loaded into the camera. We talked until either we or the camera ran out.

The Champion of the World(es)

Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.

Cinecittà, de Mussolini à la Dolce Vita(fr)

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

John Singer Sargent: Fashion and Swagger(en)

Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.