Surreal and mysterious, in equal parts absurd and intense, Mutual Admiration Society is part of the noted multi-film collaboration between actor James Devereaux and experimental filmmaker Rouzbeh Rashidi. Based entirely around a silent, tour-de-force one-man performance by Devereaux as a man who appears to be haunting and threatening himself, Mutual Admiration Society uses startling visual techniques and editing rhythms to create a claustrophobic hall of mirrors with Devereaux’s tormented protagonist at its centre.
When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
Jay and Matt move everything out of "Stu's" garage. A road trip of memory ensues.
A fascinating case of narrative deconstruction, THE SUICIDE SQUEEZE is a '40s style whodunit pressed through the wringer of an optical printer.
Cores (Colours) is an experimental and independent animation by Clint Bones. Using Stop-Motion Animation, this film is about Palestine and their long combat with Israel. All that following a 60´s Psychedelia inspired visual.
when a double agent finds out he is going to be killed, he operates a series of murders.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
a lazy girl is depressed and confused of what to do next, after she realizes that she has grown up.
This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.
A Romany woman travels from Praha to her home in Transylvania
A teenager leaves his classmates and heads home for the evening. Feeling frustrated and lonely, he sends a neutral text-message to a friend. From this point, this one-man DV experimental film presents a real-time exchange of incoming and outgoing messages, depicting a digital-era study of text-message relationships. Letter is the directorial debut of Japanese artist, filmmaker, and scholar Sasaki Yusuke when he was only 17. The film screened at the 2004 International Film Festival Rotterdam and won the Grand Prix at Image Forum Festival Tokyo in 2003. Sasaki holds a doctoral degree from the Tokyo University of the Arts and is currently a lecturer at Tottori University.
Composed of original footage and re-filmed found footage, Oneirologue is a remembrance of a dream that occured in June 2020. It is an experimental short that presents the impression of a mind plagued by cinematic images and subconscious impulses.
Devastated and powerless as she watched the 2020 Beirut explosion and its aftermath from afar, Lebanese American choreographer Dolly Sfeir set about creating a work to express her delicate state of mind. IT CRIES TOO LOUDLY, is a dance film exploring the overlap between joy and tragedy in her tumultuous home country and the experience of being an emigre.
After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
As a working bellboy in 1946, Carl yearns for more. When world-renowned director Charles Cameron steps into the hotel, he gives Carl an offer he can’t refuse. How far will Carl go to earn the appreciation that he deserves?