Self - Bass/Vocals
Guitar
Guitar
Guitar/Vocals
Drums
Wacken Open Air is the biggest 3-day-rock- and metal-festival in the world. It's three days of raw energy, non-stop Heavy Metal music at full blast and 80.000 fans on a party frenzy. A true legend, taking place annually since 1990 in the sleepy German country town of Wacken, it attracts fans from all over the world.
01. Disasterpiece 02. Wait And Bleed 03. All Out Life 04. Sulfur 05. Before I Forget 06. The Dying Song (Time To Sing) 07. Dead Memories 08. Unsainted 09. The Heretic Anthem 10. Psychosocial 11. Duality 12. Custer 13. Spit It Out Encore: 14. People = Shit 15. Surfacing
01) Intro 02) To the Edge 03) Fragments of Faith 04) Swamped 05) In Visible Light 06) Fragile 07) Closer 08) Senzafine 09) What I See 10) Enjoy the Silence 11) Heaven's A Lie 12) Our Truth
A unique, 2 hour Accept show, shot on August 3rd, 2017 at the legendary W:O:A, where the band played the biggest and most extraordinary show of their career in front of 80.000 live fans at the festival, on top of thousands more fans watching via the live stream.
1) Intro (Resurrection) [00:05] 2) Bye Bye Beautiful [03:25] 3) Dark Chest of Wonders [07:40] 4) Whoever Brings the Night [13:10] 5) The Siren [18:00] 6) Amaranth [22:50] 7) Sacrament of Wilderness [27:15] 8) The Poet And the Pendulum [32:30] 9) Ever Dream [46:35] 10) While Your Lips Are Still Red [52:50] 11) Wishmaster [57:15] 12) Sahara [62:15] 13) Nemo [68:35] 14) Wish I Had an Angel [75:45]
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Lana Del Rey represents the next generation of diverse performers. Her impeccable voice, great music, and youthful beauty has sold over 5 million albums worldwide. However Rey's success is no coincidence. This is the story of how a young girl from New York City turned her dream into reality.
Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”