

Anna "Buksa" Scemelinska (1925 - 2011) was a Latvian folksinger. She learned her song repertoire and singing style from her parents and villagers. She sang in the Rekova Church Choir in 1956, and has also been a member of the Rekava Ethnographic Ensemble from 1980. Her mother sang religious hymns ,"godzinkas", while Anna sang traditional dainas. The singing was like the rest of her life: in harmony with nature. Marked by hard work and deep religiosity, her songs are a kind of Eastern European blues or gospel. Singers like Anna Scemelinska are storytellers. Their folk songs comprise legends, history and experience from life.
Narrator

Anna "Buksa" Scemelinska (1925 - 2011) was a Latvian folksinger. She learned her song repertoire and singing style from her parents and villagers. She sang in the Rekova Church Choir in 1956, and has also been a member of the Rekava Ethnographic Ensemble from 1980. Her mother sang religious hymns ,"godzinkas", while Anna sang traditional dainas. The singing was like the rest of her life: in harmony with nature. Marked by hard work and deep religiosity, her songs are a kind of Eastern European blues or gospel. Singers like Anna Scemelinska are storytellers. Their folk songs comprise legends, history and experience from life.
2008-05-08
0
Documentary about the concerts of the Russian Osipov ensemble of folk instruments in Czechoslovakia
0.0The members of the Ayrudzi troupe travel across various villages of Armenia on horseback and put on folk song and dance concerts and shadow theatre performances for the locals.
10.0No one could spin a yarn to make a sale like Ray Lum. Twenty years after their initial meeting, Bill Ferris returned home to Mississippi in the early ‘70s with a camera. The result reveals a look back at the colorful rhythms of Ray’s life—at home, at the auction, joking with strangers outside country stores— and provides a glimpse at Southern manhood, friendship and loss. Now nearly Ray’s age when they first filmed, Ferris has become a Grammy Award winning documentarian and renowned folklorist. Using never before seen 16mm footage and new animations, OKAY, MR. RAY is a short documentary film about how even the tallest tales help us keep the memory alive of the ones we love.
10.0From the sexy, savage Cornish May Day rites of Alan Lomax's Oss Oss Wee Oss, to Jeremy Deller and Alan Kane's footage of ferociously fought traditional football; from children's games in London's bombed East End to intricate sword and step dances, this collection of poetic documentaries, long unseen television reports and rare silent film footage reveals just how powerful and enduring the folk traditions of Great Britain have always been. The silent films feature innovative fiddle and melodeon accompaniments by contemporary folk musicians.
7.0Six part TV series where Karpo Godina filmed common folk, showing the world of people who have filled their lives with hobbies and skills of their own making. It features gold panners on the river Pek, a shepherdess who plays music on a leaf, a football fan, a potter, and an unusual orchestra.
6.0In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.
0.0For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is "bamboo" ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale-seven equidistant degrees in an octave-are practically tuned.
0.0Every year in June, the small Bulgarian village of Balgari celebrates St Constantine with a special ritual. Initiated ‘nestinari’ go into a music-induced trance and dance on bonfires in a display of religious passion.
0.0Children parade through the streets of Hinton St George in Somerset on the last Thursday of October. Children have hollowed out pumpkins or mangelwurzels, a type of animal fodder turnip to make lanterns following a tradition in this part of West Somerset that coincides with Halloween. Punky or Punkie Night is thought to date from the turn of the 20th century or perhaps medieval times chanting rhymes and following a Punkie King and Queen.
0.0An anthropological research on the survival of the supernatural in traditional culture. Shot in different locations in southern Italy, the documentary focuses on the link between the cult of the Madonna and ancient rites related to female fertility.
Two Chinese tourists swap their megacity for the Dutch village of Giethoorn where the hosts work hard to provide for them the authentic Dutch experience.
This documentary takes a look at gargoyles, the stone or cement creatures that adorn the lofty tops of buildings. Thought by some to contain the trapped souls of the condemned and believed by others to ward off evil, these adornments are sources of curiosity even today.
10.0A lighthouse keeper prepares his earthly funeral while trying to reconnect with his inner elf. Hulda and Trausti have shared a roof on the Icelandic coast for over seventy years. Her love of books is matched by his love of stones. When he tells her he wants to change his name to Elf she warns him that the family will reject him. Now, as his one hundredth birthday nears and Trausti senses the hand of death upon him, he is searching for an elf’s coffin…
7.0Walker takes us on a personal journey into a world of myth and imagination that he learned from his grandmother. He travels from the Moors of Devon and the Highlands of Scotland to the brooding Celtic landscapes of Ireland and the intimate hills of Cape Breton, in his search of this potent “otherworld” of the imagination.