Displacement and Resilience(2019)

Police State II: The Take Over(en)

Alex Jones exposes the problem-reaction-solution paradigm being used to terrorize the American people into accepting a highly controlled and oppressive society. From children in public schools being trained to turn in their peers and parents, to the Army and National Guard patrolling our nation's highways, Police State: The Takeover reveals the most threatening developments of Police State control

Police State III: Total Enslavement(en)

Total Enslavement is the third installment in the critically-acclaimed Police State series and is a must-see for all who leve freedom. This film documents the nightmare rise of the Homeland Security dictatorship, Patriot Acts 1 and 2, the Total Information Awareness Network, government-run white slavery rings, the new prison surveillance economy and much more.

One More Brother(sv)

From 1957 to 1961 170.000 Algerians flee to Tunisia because of the war. Most of them walk by feet across the mountains and the desert, carrying only a few of their belongings in their hands or on donkeys. As there is no clay in the desert they cannot build ordinary houses. They have to live in pits in the ground, covered with canvas, but some are offered to stay in American army tents.

Beyond Utopia(en)

A courageous pastor uses his underground network to rescue and aid North Korean families as they risk their lives to embrace freedom.

This Is Home: A Refugee Story(ar)

The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.

Flee(da)

Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.

Caravan(en)

The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.

Human Flow(en)

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

A Sense of Justice(fr)

A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.

Information Violence(en)

The Donut King(en)

Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.

Ukrainians in Exile(uk)

A documentary that follows Anya, a woman residing in Ukraine during the early stages of the war, who tells her story and contemplates how countries will treat her fellow Ukrainians who were forced to flee.

Draussen bleiben(de)

The Last Season(en)

In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.

The Red Elvis(de)

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Warehoused(en)

An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatriated, or integrated into normal society each year. The feature-length documentary.

War Dance(en)

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

#RimavskaPomahaUkrajine(sk)

"An Untitled Film" by George Alshevskij-Jones(en)

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

Prysia’s Garden(sk)

An intimate meditation on exile and home, Prysia’s Garden portrays the quiet life of aging Ukrainian refugee Prysia through the detailed photographic lens of first-generation Ukrainian-American Lida Suchy. By confronting Prysia’s story, Lida reflects upon her own roots, looking to understand what makes a new place a home.