A multi-generational journey exploring the archives of the director's grandfather Ephraim Erde, an official Zionist photographer from the 30s, confronted with the director's current vision in an attempt to create an utopia of her own.
A multi-generational journey exploring the archives of the director's grandfather Ephraim Erde, an official Zionist photographer from the 30s, confronted with the director's current vision in an attempt to create an utopia of her own.
2018-05-14
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"Life has passed and we have achieved nothing" Thats's what Ester the youngest says. The eldest, Karola, keeps quite. Fruma, who is my mother, tries to write what she remembers. Three sisters in thier 70's, Holocaust survivors. More then 50 years have passed and still they can't talk of thier memories. This is a film about the trauma...
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Interviews with the owners and diverse patrons of a Jerusalem gay bar called "Shushan."
Paper Dolls follows the lives of transgender migrant workers from the Philippines who work as health care providers for elderly Orthodox Jewish men and perform as drag queens during their spare time. It also delves into the lives of societal outcasts who search for freedom and acceptance.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.
Teodor Kovač, Ivan Ivanji and Marta Flato survived the 1942 pogrom known as the Novi Sad raid, when Hungarian fascists killed more than a thousand people from Novi Sad and dumped their bodies under the ice of the Danube river. Sociology professor Marija Vasić fights against forgetting and teaches students about the Novi Sad raid, while the local authorities erect a controversial monument to innocent victims, and on that list are the names of war criminals who participated in the Novi Sad raid.
How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.
The Black Book, drafted during World War II, gathers numerous unique historical testimonies, in an effort to document Nazi abuses against Jews in the USSR . Initially supported by the regime and aimed at providing evidence during the executioners’ trials in the post-war era, the Black Book was eventually banned and most of its authors executed on Stalin’s order. Told through the voices of its most famous instigators, soviet intellectuals Vassilli Grossman, Ilya Ehrenburg and Solomon Mikhoels, the documentary, provides a detailed account of the tragic destiny of this cursed book and puts the Holocaust and Stalinism in a new light.
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
As World War II looms, Pope Pius XI calls on a humble American priest to help him challenge the evils of Nazism and anti-Semitism. But death intervenes, and Pope Pius XII now carries out a very different response to Hitler and the Holocaust.
In this documentary road movie, filmmaker Danielle Arbid tries to conjure up an image of the country that is called Israel or Palestine.
Western Freemasonry and Eastern communists won WW2, leading to a secret holy war aiming for a one-world government and a single religion in a communist utopia.
Pulitzer Prize-winning cartoonist and author Art Spiegelman discusses his graphic novel "Maus," which chronicles how his father survived the Holocaust. Also included a journey to Auschwitz, with his wife and art director Francoise Mouly-Spiegelman.
Tells the extraordinary story of Anita Lasker-Wallfisch who, along with other victims of Auschwitz, played and created music amidst the terrors of the Holocaust.
A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".
Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.