Rectangle & Rectangles(1984)

Where Empty Shells Hide(en)

Someone stuck inside a shell struggling to find a safe space.

Moonlight(de)

Abstract film set to electronic music.

La Señal Cósmica(es)

The film was produced applying mixed techniques on Super 8 film support.

La Costante di Archimede(it)

PUEDO VER TODO MENOS MIS OJOS(es)

Rhythm 23(de)

We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.

Motel Rose(ko)

She longs to be like her idol, ‘Rose.,’ Mina, a middle school student, starts working at Motel Rose because of her family’s financial difficulties. The motel in a back-alley red light district downtown. There, while doing the cleaning., Mina meets ‘Hanna’, a teenage runaway who resembles ‘Rose’. Hanna sells her body at the motel, but Mina secretly wishes to become like ‘Rose’ one day.

Life's Musical Minute(en)

Life’s Musical Minute, recently re-discovered, is a short promotional film of this kind, based on Gene Krupa’s drum solo from “Golden Wedding” by the Woody Herman jazz band. It was Lye’s attempt to gain support from Life Magazine.

Study No. 4(de)

Experimental short film by Oskar Fischinger

Study No. 13(de)

Experimental short film by Oskar Fischinger. Preserved by the Academy Film Archive in 2000.

Study No. 14(de)

Experimental short film by Oskar Fischinger

Zero One(en)

Zero One is a code-based generative video commissioned by Zero One Technology Festival 2018 in Shenzhen, PR China. This project consists of multiple interlinked generative systems, each of which has its customized features, but collectively share the core concept of an evolving elementary cellular automaton.

Keyhole Conversation(en)

Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.

Vortex(pt)

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

Film, Film, Film(ru)

The trials and tribulations of putting a feature film together.

Shift(en)

An attempt to visualize higher dimensions and unearthliness, taking into account these concepts' heightened awareness, when attempting to process or predict the end of the world.

Everybody Dies(en)

Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic rhythms via rapid editing techniques, time, nature, and even the body folds in on itself. Everybody Dies (2020) is a poetic journey into the desert. It’s a reflection on the nature of death as something not to be feared, but embraced as a part of a personal and universal human experience. Super 8mm.

Allahu Akbar(ar)

Rhythm and repetition plays an important role in the animated film Allahu Akbar by Usama Alshaibi. With this film, Alshaibi questions the confrontation between tradition and modernity by drawing inspiration from geometric motives of Islamic art. The artist offers a re-interpretation of these motifs through computer animation. By turning the shapes in different direction, new images are generated, freeing them from their fixed state. Traditional spiritual values feed the present and open up to a modern perspective.

Trip!-Trap!(ja)

In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world. This experimental graduation film is a mixture of different animation techniques

Pandemic in Times of Love(es)

A 16mm archive from 1964 intervened as an emotional diary during the first three months of the COVID-19 pandemic is the basis of this film, reinterpreted in the montage of the sound design, in which the images are reinterpreted, emphasizing the soundscape of the protests from 2020 to 2023 in the streets of Cajamarca, Cusco and Lima, three regions of Peru, questioning the constant political and social crisis.