By Winds and Tides(2022)

Dilution(en)

Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.

Rectangle & Rectangles(en)

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

La fontaine et la chute IV (les origines)(fr)

Woman Is My Last Name(en)

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

Shearing Animation(xx)

An abstract animated film inspired by the work of jazz musician Chico Hamilton.

Drums West(en)

This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.

Billy Doucette's Hornpipe(en)

A fiddler's hand creates its own choreography is music is performed. This film is an attempt to share the dance. In the tradition and spirit of a Norman McLaren short, a light attached to a fiddle bow traces a dancing dot of light in darkness. The music was composed and is performed by Gordon Stobbe on fiddle and accompanied by Bill Doucette on guitar.

Artificial Intelligence, 2023(en)

Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.

The Murmur of Nu Shu(xx)

Things to Come(en)

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

The End(et)

It is said that if a man is fading away, he sees his life running quickly in front of his eyes. What does a hundred-year old film strip see before it gives way to digital vehicles? Does it see broken frames, scratched film stock or something else? This is a film about time and its ephemeral nature.

Bunnyhood(en)

What could possibly be more important than feeding your daughter?

Me + Her(en)

Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.

FOREIGN AFFAIRS(en)

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

La dissolution du paysage(xx)

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

reMemBer2.human(sq)

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

Functional Block Diagrams(en)

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

Angel(en)

In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.

Dark Mixer(ja)

Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)