Some of the finest jidai-geki actors appear in this exciting and entertaining tale of intrigue and action in old Japan. Teaming up the ever-popular Misora Hibari with the greatest samurai action hero of all-time Wakayama Tomisaburo is a brilliant stoke of casting. Hibari takes on the role of Mori no Ishimatsu, a young man who gets involved with real-life Yakuza legend, Shimizu no Jirocho, 'Boss of the Tokaido'. Ishimatsu manages to interfere with a dispute between the Shimizu and their competition, the Marugame family, even going so far as to become an avenger's assistant. It's not the first time Hibari has played a man in a film (also in Benten Kozo), and her acting skills are at their best as she mixes in a bit of humor along with excellent swordplay. Wakayama Tomisaburo, as always, gives an outstanding performance as the powerful and beloved Yakuza Boss Jirocho.
Some of the finest jidai-geki actors appear in this exciting and entertaining tale of intrigue and action in old Japan. Teaming up the ever-popular Misora Hibari with the greatest samurai action hero of all-time Wakayama Tomisaburo is a brilliant stoke of casting. Hibari takes on the role of Mori no Ishimatsu, a young man who gets involved with real-life Yakuza legend, Shimizu no Jirocho, 'Boss of the Tokaido'. Ishimatsu manages to interfere with a dispute between the Shimizu and their competition, the Marugame family, even going so far as to become an avenger's assistant. It's not the first time Hibari has played a man in a film (also in Benten Kozo), and her acting skills are at their best as she mixes in a bit of humor along with excellent swordplay. Wakayama Tomisaburo, as always, gives an outstanding performance as the powerful and beloved Yakuza Boss Jirocho.
1960-03-29
8
Don Jose disguises himself as Zorro, the masked freedom fighter, who tries to protect his people from the wrath of an evil military officer who is using his position to his own advantage.
A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.
In a groundbreaking project developed by MISCELLANEOUS Productions, a group of multi-barriered youth collaborated with a team of professional artists on POWER, an evening of solo performance pieces, ensemble drumming and dance numbers, all of which take a raw, honest look at the things that matter to youth in the community: power, racism, immigration, poverty, violence, sexism, addiction and love, presented at Vancouver’s Rhizome Café. This documentary focuses on four young artists -- Roberto, Natasha, Dakota, and Michael -- showing their struggles and their transformation through performance.
About to turn 35 years old and in the imminence of having to give up his music, Samuel comes to Lisbon to do a concert. He stays over at Teresa's, the attractive mother of his girlfriend, a woman who resists getting old. During 3 days, accomplices and inert, they create a silent intimacy, feeling time overcome them without knowing where to go.
A Brooklyn teen learns she was born HIV-positive.
Elif is 10 years old, her sister Ayşe is 13. It’s a sticky summer in 1980s Istanbul. When she has an accident, Ayşe spends the summer lying down. Elif drives her sister mad, for reasons she can’t grasp. Ayşe seems out of reach as if in a distant land.
The story follows a young trio of musicians, played by Rachel Sweet, Matthew Penn (son of Arthur) and Judd Nelson, called The Third Dimension. They enter a battle of the bands in an old hotel called the Rock N' Roll Hotel. However, rival band The Weevils are intent on stopping the young band from winning the contest and taking the title for themselves... Essentially one of the first feature-length music videos, the film was produced in Richmond, VA, shot in 3D, filled with musical numbers, written by Russ Dvonch (Rock 'n' Roll High School), co-directed by Paul Justman (Standing In The Shadows of Motown) and featured 80s cable icon Colin Quinn as a local DJ. (Synopsis from Spectacle Theater)
A woman is tormented by painful menstrual cramps... or is she?
Chicago literary agent, Anne Harper, vacations to a remote cabin in the Upper Peninsula of Michigan. While there, a disgruntled writer is waiting in the shadows to seek his revenge.
After a comedian is infected by a demon who eats anyone she envies, her relationship with her best friend is threatened.
Adelaide Coelho da Cunha, daughter of the founder of the newspaper "Diário de Notícias", married to Alfredo da Cunha, then director of this newspaper, and mother of José, who is 20. This educated, cultured woman, falls in love with the chauffeur, who is youger than her and from a different social background. This passion leads to confronting the established order of things and the standards of social behaviour of a wife and mother. She may at the same time be heroine and victim of her own courage in deciding to make a final break from the whole family status and run off with the chauffeur. When his wife runs off with the chauffeur, Alfredo da Cunha with the aid of some of the eminent doctors of the day, has her declared irresponsible and incapable of administering her assets, and on this pretext he has her inprisoned in a mental hospital.
A dark and disturbing adaptation of Charlotte Perkins Gilman’s controversial gothic feminist horror story about patriarchy and hysteria. Jane, a writer and young mother, is prescribed a rest treatment by her physician husband John, who takes her to a remote country estate for the summer. She becomes obsessed with the peculiar yellow wallpaper in the bedroom he has chosen for her. In her isolation, she secretly writes about a woman trapped in the wallpaper—that she must free.
Assistant Pastor Josef Mohr arrived in Oberndorf in 1818. In a time of political upheaval and economic hardship he writes a Christmas carol together with the teacher Franz Gruber. The main roles in Franz Xaver Bogners fictive history of the most famous Christmas song in the world "Das ewige Lied" play Tobias Moretti, Heio von Stetten and Erwin Steinhauer.
The young Vera arranges a romantic date for her mother, Natalia Petrovna, with the capital’s lady’s man so she will find her femininity again. But things go not quite according to plan...
Just before turning thirty, Danny and Stella often feel lost and disorientated. This is the chronicle of their relationship that reveals the portrait of their generation with sarcastic humour and sincerity.