Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
1969-01-01
8
A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.
David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.
As the Overfiend slumbers, the mad emperor Caesar rises to power, enslaving a new race of demon beasts. Into this cruel existence is born the Lord of Chaos, the Overfiend's nemesis. As the blood-thirsty beasts capture the tyrant's daughter in a brutal coup, the Overfiend must awaken to an apocalyptic battle of the Gods.
Spider-man must rescue the beautiful daughter of the evil Dr. Lightning.
Follows Jacquie Liddle as she and Tyler try to plan their perfect destination Christmas wedding. Naturally, Jacquie’s plans go awry when her boisterous family intervenes in her planning and her snooty wedding planner quits in protest. While nothing goes as initially planned, Jacquie and Tyler get a Christmas wedding more memorable than they could have ever dreamed.
A brutal look at how Jin and the Human Hibachi movies got their start in Japan.
The film follows a 'tempbot', a robot assigned for a short period of time at an ordinary office, and his romantic endeavours with the Human Resources manager.
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
A single machine is hidden among human contestants. Will they uncover who is the Fake?
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
A young man must fight for his life against a shape shifting stalker.
A young woman thinks she’s found a path to internet stardom when she starts making YouTube videos with a charismatic stranger – until the dark side of viral celebrity threatens to ruin them both.
A beautiful blonde joins a small group of men running an oil station in the Sahara Desert and starts the emotions soaring.
A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.
Hiding inside&out, writhing about, taken out&in.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
It's time the times met each other over & over.
Don't ask me why, but I feel we're about to cry trying.
Say Om as you reach home only to realize you never really left/stopped saying Om.
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Rather pointless, rather stilted, fetid; not what we want us going after.
Wax and wane until there is naught but boring pain.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Naked bodies are buffeted by water accompanied by the music Il Temporale from the opera La Cenerentola and the overture to Il Barbiere di Siviglia both by Gioacchino Rossini.
Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.