“Te Pito o Te Henua” (The Navel of the World) tells the story of the community behind Rapa Nui’s largest and most colorful annual Indigenous celebration, the Tāpati Rapa Nui Festival. Honoring ancient rites and competitions, Rapa Nui families participate in nine days of athletic feats, cultural demonstrations and ceremonies paying respect to the land, water and other natural beings of the island. They also crown a Queen to represent her people for a year throughout Polynesia and on the world stage. The film traces the journey of 19-year-old candidate Vaitiare and her family as they join work to earn her the crown and represent this small but well-known island as its people fight for increased autonomy and recognition on the world stage. Through intimate character portraits, behind-the-curtain moments and heartfelt musical performances, “Te Pito o Te Henua” reveals the true meaning of Tāpati and the deep connections the Rapa Nui share with their lands and waters.
A few years ago the indigenous musician Delfín Quishpe uploaded a video clip on YouTube of his song Torres Gemelas without imagining the impact it would have. For some, the video was strange and in bad taste, however his charisma and his lyrics made him a celebrity. After ten years, Delfín still has not overcome the hangover of fame and now he struggles not to turn off the magic of his music, in a world of ephemeral stars in the digital age.
"The Hypocrite" delves into a critical discourse that is resonating with individuals across various spheres. In the context of climate advocacy, the film examines the inherent contradiction between personal actions and systemic efforts. The story is masterfully woven through the perspective of a professional skier, confronting the complex interplay between advocating for change and relying on fossil fuels for athletic pursuits. The film aspires to foster unity and collaboration within the outdoor community, transcending perceived hypocrisy and feelings of not fitting in. It aims to dismantle the culture of individual blame and guilt, focusing instead on the systemic shifts required to pave the way for a sustainable future. By erasing the boundaries that label individuals as hypocrites, the narrative invites viewers to recognize the urgent need for collective action and change.
A moving portrait of actress Tantoo Cardinal, travelling through time and across the many roles she’s played, capturing her strength and her impact—and how she shattered the glass ceiling and survived.
Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?
Short documentary about—the now closed—Olympic Doughnuts in Footscray, Melbourne.
Venerable storytellers recount for the camera and their listeners the founding myths of Malagasy culture.
Poet Layli Long Soldier crafts a searing portrait of her Oyate’s connection to the Black Hills, through first contact and broken treaties to the promise of the Land Back movement, in this lyrical testament to resilience of a nation.
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.
INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.
In the quirky mountains of Colorado, people from all over the world gather to throw a party for a frozen dead guy. “Grandpa” died in 1989 and was frozen by his Norwegian grandson who hid him away in a tiny shed along with one other body. The uncovering of the bodies, as well as the controversy that followed, led to an annual celebration of costumed weirdos looking to drink, dance, race coffins, and dive into a frozen lake.
Eight female storytellers, authors and poets performing at the Atalukan Storytelling and Legends Festival in Mashtueiatsh (Pointe-Bleue), Quebec.
“Balance of Life” is a film about life’s and human kinds’ fight to find the balance between our own evolving life style and the nature of the planet we inhabit. The human race is drifting further and further away from its real roots and from what being a human is really about. The speed of development has increased to a state where humans have a hard time keeping up. We find ourselves in a situation where both our own and the planets’ wellbeing is severely threatened. As a last resort human is relying on faith to find the balance. Is faith the last defense of man or is this world guided by forces greater than us? Is this force God, evolution or just the mere sum of coincidences that formed the universe, the natural order and laws of physics?’ Watch it here (https://vimeo.com/51203265)
Still photographs and narration give an overview of the history of the American Indian.
Following filmmaker Taye Alvis as he looks to reconnect to his community of Walpole Island First Nation. Taye will explore his relationship to Walpole Island, and how one can reconnect to their traditions and culture by way of conversation, arts, and recreation.
More than an attachment to our territory, the Innu live a filial relationship with Nitassinan, our ancestral homeland. For so many generations, the land has nourished, cared for and raised us. It has inspired our language, our culture, our lifeway and our vision of the world. Throughout the seasons, our ancestors criss-crossed the territory on foot, by canoe or on snowshoes. They knew every river, lake, or stream; every mountain, hill or bog; every camp, trail and portage path. Nomadism forged our people, and the film will record this journey and our history – past, present and future. And while it will attest to our vitality and resilience it is also – and above all – a tribute and a message of respect for the Earth.