Cidadão Jatobá

Flor Brilhante e as Cicatrizes da Pedra(pt)

Our Land, Our Truth(fr)

Made in collaboration with the Inuit Tungavingat Nunamini, this film focuses on those dissident members of the Inuit community who rejected the agreement signed on November 11, 1975, between the Northern Quebec Inuit Association, the Québec and federal governments, the James Bay Energy Corporation, the James Bay Development Corporation, Hydro-Québec and the Grand Council of the Crees, which took away Native rights to a territory of almost one million square kilometres. By their words and actions, the dissident Inuit of Povungnituk, Ivujivik and Sugluk express their strong desire to retain their land and their traditions. The filmmakers go into their homes, on the ice and the sea to record first-hand the lives of these northern people.

Grey Horse(en)

Samuel Grey Horse, an Indigenous equestrian from Austin, Texas, is known for rescuing horses from being put down. After a riding accident lands him in a coma, Grey Horse experiences an afterlife vision that changes his perspective on the world and his place in it.

Angry Inuk(en)

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Acoustic Ocean(en)

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

Starblanket(en)

At twenty-six, Noel Starblanket was one of the youngest Indigenous chiefs in North America--twice elected chief of the Starblanket Reserve, and also elected vice-president of all-Saskatchewan Indigenous organization. His great-grandfather's advice was to "learn the wit and cunning of the White man." That he did. Here he is seen in action, a chief with a briefcase, working with government officials for grants, running for public office, talking down his opposition, and solving the domestic problems of his reserve.

O Último Kuarup Branco(pt)

The creation of the Xingu Indigenous Park is reassessed by indigenous peoples and anthropologists. Almost 50 years after the initiative, which had the decisive participation of the indigenist brothers Cláudio and Orlando Villas-Bôas, the older indigenous people still have not forgotten the original lands they left behind. Some want to go back to their old origins.

The Living Stone(en)

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

Mark of the Hand(en)

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

The Invention of the Other(pt)

In 2019, the Brazilian government coordinates the largest and riskiest expedition of the last decades into the Amazon rainforest to search for a group of isolated indigenous people in vulnerability and promote their first contact with non-indigenous. Bruno Pereira, who would later be murdered in the same region and turned into an international symbol in favor of the indigenous and the forest, leads the expedition.

MONTAÑAS(es)

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

Incident at Restigouche(fr)

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

Amá(en)

Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. ​The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.

Totem Talk(en)

Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.

Baraka(en)

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Still We Rise(en)

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Stolen Spirits of Haida Gwaii(en)

Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.

Elementa(en)

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

Mother Earth’s Inner Organs(en)

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

Os Arara(pt)

Documentation of the preparations and expeditions of the Frente de Atração Arara da Funai, in the state of Pará, Brazil. With the construction of the Transamazônica, the Arara territory (without contact with the white man) is cut in half, and the Indians react by attacking the workers. Aware that all contact is a creation of dependency, the sertanista Sydney Possuelo, who also reflexively narrates the documentary, leads the expeditions that aim to identify the groups, how many individuals there are, establishing territorial limits to protect the area against invaders and loggers in the region.