Children of Sea and Salt(2024)

Writing with Fire(hi)

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

This Is the Way We Rise(en)

An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.

Breakpoint: A Counter History of Progress(fr)

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Crack: Cocaine, Corruption & Conspiracy(en)

A cheap, powerful drug emerges during a recession, igniting a moral panic fueled by racism. Explore the complex history of crack in the 1980s.

The buildings will take off and leave us behind(pt)

Filmed with a cybershot camera, the experimental short proposes a journey about architecture, loneliness, and hope.

Más que un Juego(es)

Pourquoi encore penser ? À l'heure de l'intelligence artificielle(fr)

Second Class(sv)

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

The MacArthur Facade(en)

An amateur documentary crew dive into a growing opioid epidemic within Australia's Capital only to discover horrifying truths.

Terra Mãe Mãe Terra(pt)

Interspersing daily life during the occupation with the fight for rights, the documentary follows the Warao indigenous people and portrays their experiences during a resumption in Betim.

Capitalism: A Love Story(en)

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

Madre Luna(es)

The stories of a group of Latina migrant mothers whose kids have been taken away by an unfair system in Italy.

Objectified(en)

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

BLIND_CITY(pt)

Images complement what is always lacking in words. The poems complement what is always present in the city. Freely inspired by the poetry Cidade City Cité, by Augusto de Campos.

Love Around the World(en)

From the moment we got engaged and set a wedding date, we began thinking about the reasons we chose one another. What was so special about this relationship that we decided to spend our lives together? Would our love be the same if we were born in another time or at another place? What is love exactly? Driven by those questions, we decided to embark on a one year journey around the world to research whether love, one of the highest values in our lives, is universal, or it is completely conditioned by the circumstances around us.

Juneteenth: Faith & Freedom(en)

A Black American is troubled by the legacy of American slavery and the misuse of Christianity to justify it. He travels throughout Texas discovering how the Juneteenth reveals faith and a fight for freedom in an unjust society.

Mediocre(de)

Ensaios sobre uma cidade(pt)

Why, Human?(en)

In this short documentary, filmmaker Aidan Porier asks his friends what it means to be human. Here's what they said...

Mafia Is Not What It Used to Be(it)

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.