Madre Luna

Aufwachsen im Westjordanland - Gefangen im Zorn(de)

The Christmas Light Killer(en)

Every night in December people in a small suburb of Philadelphia flock to a holiday light show. They drive at a snails pace through the 2 mile stretch of beautiful light displays, listening to holiday music, soaking up the Christmas spirt. But at the end of each night one man drives the stretch alone, turning off all of the lights, ending the joy day after day. This is his story.

Stále spolu(cs)

Babies at 50(en)

In this revealing one-hour special, we look at the lives of older mums and women desperate to become mothers - at any age. Medical experts say that it is now possible for a woman of 80 to have a baby but is it morally and ethically correct? This heart-rending program looks at the difficult choices facing women who want to become mothers late in life and explores the desperate measures they take in order to fulfill their dream.

A Labor Theory of Artistic Value(en)

Exploring the intersections between gendered reproductive labor that keeps the cultural space in motion, and the reproductive labor of motherhood, A Labor Theory of Artistic Value, on Mothering and Art combines video projection, a delivered text, and a performative act of cultural maintenance.

Die Hunde der Mächtigen - und eine Katze(de)

Le Théorème de Sadeck(fr)

Un jour, je serai docteur(fr)

Israël, les ministres du chaos(fr)

We Iranian Women(fr)

Royaume-Uni, du Brexit au Bregret(fr)

D'Emmanuelle à Emmanuelle(fr)

« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.

Trauma in Nahost - Der 7. Oktober und seine Folgen(de)

Les gens du Nord(fr)

Revolution of Our Times(cn)

Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.

Beauties of the Night(es)

What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.

A castle with red walls(fa)

This movie is about an Iranian filmmaker called Davood Roostayi, whose all movies ( more than 100 movies ) have been banned both before and after the Islamic revolution of Iran and none of his movies have been screened.

Our Time(en)

America has questions about today's youth, what we care about, and where we're headed. We had those questions too. So, after graduating college, four of us loaded an RV and embarked on a journey looking for answers. We traveled to all of the lower 48 states, talking to our peers about growing up, 9/11, race, the Internet, careers, sex, love, and the American Dream. Along the way, we met a wide cross-section of young Americans, ranging from a cancer researcher in Boston to a drug dealer in New Mexico, from an Iraq veteran in Florida to the founder of Facebook in Silicon Valley. The film ultimately leads to the recent historic election, where our generation finally stands up to make its voice heard. OUR TIME is a passionate portrayal of a generation, a meditation on coming of age in 21st-century America, and a rallying cry against apathy.

L'Odyssée des Jeux olympiques(fr)

Daddy's Girl(fi)

Daddy’s Girl is a story about differences, but also about similarities, reunions and the difficulty to hate. Father and daughter know each other so well, that even the most tragic scenes start to seem comical. Melisa’s relationship to her father is so painful, because there’s so much love involved.