Originating in Curitiba in 2013 and spreading to Portugal, Spain, Mexico and Brazil, “Basket das Excluídas” consists of an LGBTQIA+ group gathering to play basketball on a public court in the city. They vogue and resist with their bodies around the city, challenging norms and celebrating diversity while engaging in a game that expresses identity and a form of resistance.
Originating in Curitiba in 2013 and spreading to Portugal, Spain, Mexico and Brazil, “Basket das Excluídas” consists of an LGBTQIA+ group gathering to play basketball on a public court in the city. They vogue and resist with their bodies around the city, challenging norms and celebrating diversity while engaging in a game that expresses identity and a form of resistance.
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Violeta leads a normal life in a well-off family, with loving parents, surrounded by everything the heart of an eleven-year-old girl might wish for. But she hasn’t always been the pretty girl she is today; she was born a boy. At age 6, she baffled her parents (the famous adult movie stars Nacho Vidal and Franceska Jaimes) when she told them she wanted to be called and dress as a girl. After the initial shock, they decided to give her all their support on the long and tough road that will lead to her becoming a woman someday. Violeta faces many challenges, medical (such as deciding whether or not to take hormone-blockers to stop the development of masculine features as soon as puberty kicks in) and legal (obtaining an ID card with her new name and gender). Later, she may consider getting a sex reassignment procedure, or the possibility of becoming a mother through adoption.
Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would.
Through archive footage and images as well as interviews, the movie paints the portrait of a legendary trans womens' rights activist in Argentina. Like a family album to flip through, the narrative charts the ties solidarity and mutual aid create between people of the LGBTQI+ community and the long road to make the personal political, during the brutal 1980s in latin America.
The only thing colder than a Canadian winter is Canadian bureaucracy (probably). Based on five real life stories, Romy Boutin St-Pierre and Joe Nadeau pay homage to the nation-wide stress headache of phone calls with the government in this surprising short.
Activists of the LGBTQ+ association Rain Arcigay Caserta come back living in a property given to them in concession, confiscated from the Camorra in Castel Volturno. The goal is to reconnect with the local inhabitants and propose a new idea of sharing and regenerating the park.
Lucy Rose, a transgender woman, shares her journey of self-love and empowerment since starting hormone replacement therapy three years ago. The film is part animation, part documentary and part VHS archive footage.
Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.
Trans is a 1982 Venezuelan documentary short film that offers an intimate look into the lives of a group of trans women and drag performers in Caracas, exploring their experiences in a society marked by transphobia and homophobia. Through interviews and performances, the documentary highlights the resilience and dignity of these women in the face of widespread discrimination and violence. Premiering at the Venezuelan National Cinematheque in 1982, Trans is considered a pioneering work in the representation of the trans community in Latin American cinema.
Art Johnston and Pepe Peña are civil rights leaders whose life and love is a force behind LGBTQ+ equality in the heart of the country. Their iconic gay bar, Sidetrack, has helped fuel movements and create community for decades in Chicago's queer enclave. But, behind the business and their historic activism exists a love unlike any other.
Loïe Fuller, stage name of Marie Louise Fuller: the American actress and dancer trained in burlesque, circuses and variety shows who, in the 1890s, signed by the Folies Bergère of Paris, became a star. She was portrayed by Toulouse-Lautrec, loved by the symbolists, the inspiration for Art Nouveau, in her shows she combined dance, spirals of fabric and light, reflected from behind or from below through the glass floor that she had created. She transformed into the "Fairy of Light", was taken up (especially in her Serpentine Dance) by Georges Méliès and Alice Guy and influenced René Clair's early films.
A documentary that chronicles the twenty years of Pride parading in Iceland. Filmmaker Hrafnhildur Gunnarsdóttir has shot the parade from the beginning, with all its pride and power, beauty and sometimes ugliness. She mixes old material and new interviews with activists who reminisce about their participation in the parade, it’s impact on society in general, and what Pride means for the LGBTQ+ community.
A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.
Set against the backdrop of the repeal of the "Don't Ask, Don't Tell" policy, the film chronicles the journey of Lt. Col. Linda Campbell, an Air Force veteran who grappled with hiding her true self during her service tenure. While the national policy shift towards LGBTQ+ rights marks a progressive era, Linda's personal story serves as a powerful testament to the individual battles fought in the shadows of such policies. Subjected to suspicion, prejudice, and threats from her comrades due to her perceived homosexuality, Linda's resilience remain undeterred. Her unwavering love and commitment to her partner, Nancy Lynchild, culminate in a poignant milestone: their eternal rest together in Willamette National Cemetery. Intertwined with this narrative is the account of Linda's brother, Bob Campbell, who delves into their family's conservative roots, Linda's tumultuous coming out, and the eventual familial reconciliation that showcases the transformative power of love and understanding.
How did the rise of LGBTQ visibility, political progress, and digital technologies in the 2000s come together to offer the abundance of complex queer and transgender representations we see today? Media scholar Katherine Sender shows how LGBTQ visibility and political progress have combined with new digital media technologies and television platforms to produce an increasingly complex range of queer and transgender representations.
UCLA Student Film, Preserved by the UCLA Film and Television Archive. Documentary from Community Video Center San Diego about the Gay Rights March on Washington D.C. on October 14, 1979. Interviews include representatives from the Greater San Diego Business Association, San Diego Democratic Club, Senate for Social Services, and Gay Alliance for Equal Rights, a mother advocating her gay son's rights and creator of a parents activist group in Orange County, Allen Ginsberg, and Gay Mormons, as well as other attendees of the march. Interviewees speak about gay rights, equal protection under the law, and end to discrimination against gay people.
Two mothers lovingly raised Afra. Growing up felt like a safe pink bubble to her. But this bubble burst when she discovered the obstacles her parents had to overcome to have a child. For example, one mother did not exist legally for 12 years, and 30 years later this is still the reality for multi-parent families. When Afra heard this, she became determined to tell the story of these families. This documentary shows what happens to you when you fall outside the 'standard' picture of a family. In the film we follow Afra, and her two mothers, two multi-parent families, the experts Henny Bos (professor of Sexual and Gender Diversity in Youth), Sara Coster (board member Meer dan Gewenst and child wish coach) and former D66 member of parliament Lisa van Ginneken.
In the first person, a documentary that shows us the experience of Vida Rodriguez, formerly Inocente Duke, in situations that the Trans Law favors: what happens when entering a sauna, locker room, or a public service (even in the Congress of Deputies). An experience that, with respect and large doses of humor, brings us face to face with a law and its difficulties in its implementation.
The documentary focuses on the story of QueerFest, the first and only LGBTI+ film festival in Turkey, which has been organized in Ankara since 2011. Through interviews with the founders of QueerFest, volunteers and staff who have contributed to the festival, the 14-year journey of the festival and the culture and arts landscape shaped by Turkey's political climate are told. QueerFest's self-organizational connection with the Pink Life Association, its connection with the “lubunya” (queer community) of Ankara and the cultural capital it inherited from there, is transformed into a powerful political voice by developing the practice of mobilizing through art. Since 2017, the festival has continued its resistance against the bans and heavy censorship obstacles every year and opens a space for many queer people living in Turkey who are interested in the field of culture and art and want to produce in this sphere.