b.longing(2024)

1,2,3... Barcelona!(xx)

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.

Brains in Danger(fr)

For the past 20 years, the world has seen an alarming decrease in IQ and a rise of autism and behavioral disorders. This international scientific investigation reveals how chemicals in objects surrounding us affect our brain, and especially those of fetuses.

Inseparable Sisters(en)

An uplifting insight into the lives of seven-year-old conjoined twins, who weren’t expected to live more than a few days. Cared for by their devoted father, the girls have defied all odds.

Democracy Is ...(en)

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Style Wars(en)

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

Last Day for Videos(en)

A short documentary capturing the experiences and feelings of staff at a Family Video rental store in Kalamazoo, Michigan on their last day of operation following the steady rise of streaming services and the final blow dealt by the pandemic.

DIY: The Rise and Fall and Rise of Punk(en)

D.I.Y. is an extrospective dissection of Pop-Punk; from the SoCal garages of the 80’s to the enduring impact the genre has had on music, fashion, and culture.

The Red Gate: Magellan at the Gates of Death, Part I(en)

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins

Heroes of Horror(en)

A&E Comprehensive biographies of five of the greatest classic stars of the horror genre. Features lots or archive footage from some the greatest horror films committed to celluloid.

Yellow Bar - A Night with Zorza(pt)

A group of friends hangs out at a bar, having fun and drinking beer.

The Visible(en)

A short doc to explore what it's like to be a girl in Brunei.

The Boys Wanted to See Fireworks from the Side(ja)

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

Women in the Shadows(en)

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

Far Away(es)

A landscape is only a landscape until we know what lies beneath. Pozo Ibarra, in the Central Mountains of León, is a mining complex full of significant architectural attributes, and also the imposing and ruinous remnant of a painful past that passed the ideas of freedom, literally, through the stone, turned into a great mass grave. Now, when the sun goes down, the souls that inhabit it rise up, refusing to forget.

Sisters(en)

An ethereal trip, created using archival footage, subverts past expectations and defines the road ahead for two adventurous sisters. A tender reminder of how our desires can manifest as a confusing and never-ending quest and how our loved ones can anchor us in the world despite all of the momentum and commotion. – Leonie Woodfin

The Big Picture(en)

The Big Picture uncovers the untold story of a state-of-the-art cinema quietly forgotten in the center of Bristol, a vibrant UK city known for its countercultural spirit. Once a cutting-edge IMAX theatre, the building was abandoned for over a decade—until a collective of cinephiles reclaimed it. Blending DIY ingenuity with punk ethos, they’ve transformed a forgotten relic into the beating heart of a grassroots cinema movement—reviving not just a building, but a shared vision of what cinema can be.

The Apocalypse of St John(es)

Embark on an epic journey through time and faith with 'The Apocalypse of Saint John.' Join the Apostle John in a stunning visual narrative that unravels the visions of the End Times. Experience each vision like never before, with striking visual effects and epic scenes that immerse you in the apocalyptic narrative.

La France de l'épuration, entre vengeance et justice(fr)

Pirate Mentality(en)

After a great year for grime, MC Frisco and Risky Roadz go back to its pirate radio roots. - How Pirates Made Grime. Taking grime back from global phenomenon to its pirate radio roots.

Cartoneras(pt)

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.