Movie: Prelúdio

Top 1 Billed Cast

Moara Barão
Moara Barão

Eva / Lilith

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From Forest To City
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Nadveren
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20 years and other untranslatabilities
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20 years and other untranslatabilities(xx)

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Ten Lives of a Cat: A Film about Chris Marker
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Ten Lives of a Cat: A Film about Chris Marker(en)

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Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.

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FOREIGN AFFAIRS(en)

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Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Hospitality
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Vacuumin’ Around
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beer cans under my bed
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beer cans under my bed(en)

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Painted Gaze
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Painted Gaze(en)

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LIMINAL
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You Have Four Years
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You Have Four Years(en)

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1993 In The Sunshine Forever(en)

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I went away and forgot you. A while ago I remembered. I remembered I'd forgotten you. I was dreaming.(en)

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hands
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hands(en)

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In this 21st century, under the cloak of capitalism, governments, and other systems by which society is governed, this short film shows the true social reality of many people “on the street”.

The Six Dubious Acts
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The Six Dubious Acts(en)

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Four Poems
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Four Poems(en)

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Four Poems is a series of video poems in which the horizontal lines of a poem, usually composed of text, have been substituted for horizontal lines of moving image. The piece explores what remains of a poem when its language is removed, and how images might interact with each other in similar or different ways to words. It asks whether rhyme, rhythm, sibilance, or dissonance, might be effectively created by juxtaposing images. It also asks whether arranging images might create a sense of authorship, intentionality, or a tone of voice, in the way that arranging words might. Finally, Four Poems invites the viewer to consider how they might ‘read’ a poem – does a reading have to occur from top-to-bottom, or might new interpretations be possible when the moving parts of the poem can all be seen at once?