Directions for Beginners: North, South, East, West(1970)

Atrabilis(en)

Papa Mau: The Wayfinder(en)

A documentary that takes a retrospective look at the influence of Mau Piailug, a native from the tiny Micronesian atoll of Satawal, in reviving the art of non-instrument navigation in Polynesia. Relying solely on his knowledge of celestial bodies, oceanic currents, and natural markers, Mau guided the traditional sailing canoe Hokulea on a 1976 voyaging to Tahiti, a journey not completed in more than 600 years. For Native Hawaiians, this expedition signaled an exodus from the cultural doldrums of the previous century. Sail along on this remarkable journey and share Mau's story of reinvigoration, reconciliation, and redemption of a people as the master wayfinder and teacher that breathed life back into the sails Polynesia's voyaging tradition.

The Golden Compass(en)

After overhearing a shocking secret, precocious orphan Lyra Belacqua trades her carefree existence roaming the halls of Jordan College for an otherworldly adventure in the far North, unaware that it's part of her destiny.

Pirates of the Caribbean: Dead Man's Chest(en)

Captain Jack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones' service, as other friends and foes seek the heart for their own agenda as well.

Horizon Line(en)

A couple flying on a small plane to attend a tropical island wedding must fight for their lives after their pilot suffers a heart attack.

True North(no)

A girl in a mechanics workshop meets a submarine captain who owns a magical compass. The compass is not functioning, so he asks her to fix it. It turns out that the compass has showed him the way to the treasure he sought the whole time.

DONNER(de)

Gala(he)

Empire of Madness(en)

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Still Here(es)

Brings together the existential ponderings of the people around us who most deserve to be listened to, those who have lived the longest. We travel the world hearing memories of love and loss, of joy and hardship.

Junge Leute(de)

A documentary about young people just starting their higher education and their professional life.

20,000 Miles on a Horse(en)

This Feature documentary is about the lives of Louis Brunke and Vladimir Fissenko who rode on horseback from the southern tip of Argentina to Prudhoe Bay, Alaska. It took them five years to cross 14 countries -- and they filmed it all.

Film Magazine of the Arts(en)

"In Spring, 1963 Show Magazine called me and asked that I make a film on arts in New York. I told them, why did they want me to make it - didn't they know I was a bit unusual? ... 'We want something unusual,' they said. So I went out and made a newsreel on arts. Show people looked at the rough cut of the film and became very angry. 'But there is nothing about Show Magazine and DuPont fabrics in the movie,' they said. 'What has that to do with the arts in New York!' I said. The battle was short. The film was destroyed. Really, I have no idea what they did with it. This workprint of the first FILM MAGAZINE OF THE ARTS is the only print in existence, as far as I know." -- J.M.

The Connected Universe(en)

This fascinating journey of exploration of the connection of all things in the Universe is narrated by the legendary Sir Patrick Stewart. The film explores the mechanism of connection of all things in the Universe.

s-yéwyáw: Awaken(en)

Stories of hope and homecoming intersect as Indigenous multimedia changemakers learn and document the teachings of their Elders. Ecko Aleck of the Nlaka'pamux Nation (Lytton, BC,) Alfonso Salinas of the shíshálh Nation (Sunshine Coast, BC,) and Charlene SanJenko of Splatsin of the Secwépemc Nation (Shuswap, BC,) are learning and documenting the traditional cultural teachings and legacies of their Elders, including the impacts of genocide resulting from Canada's Indian Residential School (IRS) system. Calling the audience's attention to the filmmaking process of narrative collaboration between an Indigenous and settler team, this character-driven documentary connects the transformative stories of three Indigenous multimedia changemakers and their four Elders. Infused by Indigenous ceremony, s-yéwyáw: Awaken walks alongside the process of intergenerational healing.

War Tails(en)

The Russian invasion of Ukraine created an avalanche of abandoned dogs and cats that are now multiplying causing unforeseen consequences.

"WŁODZIMIERZ"(pl)

Hoa(vi)

Before her memory disorder develops, a Vietnamese grandmother maps out her life in a memoir.

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972(en)

Between One Eyed Jacks (1961) and The Godfather (1972), Marlon Brando appeared in twelve feature films. The actor called this period his "F*** You Years" and it was during this time that his on-set behavior hit erratic and unpredictable new heights. The qualities of the roles and the films themselves vary, but this video essay examines the historical and aesthetic profiles of this cinematic so-called "dirty dozen." Were these projects really beneath him? And what led him to this decade of perceived ignominy?

Kino-Pravda No. 6(xx)

Dziga Vertov-directed Soviet newsreel covering: Streetcar collision / Arms manufacturing plant resumes operation / Assembling an automobile / Bicycle and motorcycle races / A parade of Red Army armored units and an attack exercise.