Hoa

Babushka(ru)

Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.

Moje Praha(cs)

Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.

Grandma Despina(mk)

This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.

A Fuller Life(en)

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.

Mai(mr)

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

Forgotten Transports to Poland(cs)

Betti(es)

A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.

Forgotten Transports to Latvia(cs)

In January of 1942, two first transports with hundreds of Czech Jews leave Theresienstadt for the east. After a journey lasting several days, the trains reach the Latvian capital of Riga.

Forgotten Transports to Belarus(cs)

Belarus between 1941 and 1944 was an apocalyptic place with nights lit by flames from hundreds of torched villages and with soil soaked in the blood of countless victims.

Nǎi Nai & Wài Pó(en)

A multigenerational story celebrating director Sean Wang's two grandmothers, one on his father's side and the other on his mother's side.

Half Elf(is)

A lighthouse keeper prepares his earthly funeral while trying to reconnect with his inner elf. Hulda and Trausti have shared a roof on the Icelandic coast for over seventy years. Her love of books is matched by his love of stones. When he tells her he wants to change his name to Elf she warns him that the family will reject him. Now, as his one hundredth birthday nears and Trausti senses the hand of death upon him, he is searching for an elf’s coffin…

SYNCHRONOUS(nl)

SYNCHRONOUS is an intimate portrait of love and the reverse side of love: mourning. The granddaughter/maker looks idealistically at the endless love between her grandfather and grandmother. When her grandfather dies, she decides to look for answers by filming her grandmother. What happens when you've been together all your life and your great love dies? Where is the love then?

Granny's Flags(en)

Haja Fatma, a mother to eight children, tells the tale of family life in Tripoli during the Libyan Revolution. Women, young and old, all contributed during these hostile months in their own unique way. A human portal into the acts of ordinary people in their hope for freedom.

Moje století(cs)

A Minha Avó Trelotótó(pt)

«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»

My Lovely Grandma(en)

If your family photographs could speak, what stories would they share? Interweaving interviews with family artefacts, 'My Lovely Grandma' is an exploration of my maternal family history from the perspective of Molly and the woman she was before she became my lovely grandma.

Oksoonlog(ko)

My grandmother has dementia! And I live with my grandmother. Conflicts between the younger brother and the grandmother begin due to the grandmother's repeated behavior. Among the disappearing memories, what kind of memories should we live with?

FLOAT!(en)

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

Almost a Century(fr)

A portrait of the filmmaker's 99-year old grandmother.

Forgotten Transports to Estonia(cs)