Red, Blue and Purple(2014)

Money, Fascism, and Some Sort of Acid(en)

A collection of five short films tackling the military industrial complex, the rise of fascism, political polarization and various issues in modern society.

Negativ(ru)

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

WAR TIMES(en)

An exploration of two souls inhabiting bodies from 1940's Hungary, and the beginning of the digital age.

The Grass Dwellers(es)

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

FIN(fr)

In a remote and seemingly peaceful province of Ilaya, there lived two teenagers who explore their lives as the world around them grows darker.

FUCK TV(en)

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Muddy Winters(en)

Angelic cold pearl winters and the brutality of war running simultaneously.

Magueyes(es)

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.

SIN PIEDAD(es)

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

Vietnam Story(en)

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

Elements of Nothing(ja)

For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.

Artificial Intelligence, 2023(en)

Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.

Roma '23(de)

Awe Shocks(en)

An instructional film detailing the manufacturing process of a whole new consumer product, as well as its many uses, applications, and social benefits.

in vanished mist;(es)

Through the passage of the hours, water evaporates at the same time as signals catch a sight of their previous state. Within this outflowing recording, every light reading is a dedication to a single wandering soul.

Looking Back Before You Leap(en)

A collection of memories from a tumultuous time at University.

TTT (Tᄐト)(en)

After the 100th take of 'Testo du jeudi' (in English, TTT), the trilingual references such as the Roman and Korean (Hangul) alphabets and the Japanese syllabary (Katakana) of the word TRANS on a sketch by Kě.

Une brèche écarlate(fr)

Through thread and textile, an Asian seamstress tries to escape from the factory.

Sky Spirits(en)

The basis of the experimental film Sky Spirits are real-life shots of fireworks. The authors of the film have collected these shots from the year 2001. to 2008. The experiment explores the ultimate limits of fireworks as sources of light, showing this through real-life dynamic light patters which are led through video processors, resulting in chromatically rich animated samples. The material is "laboratory" processed and then formed into a film unit, while respecting the dramaturgy of fireworks. The original sound was used, which was, of course, subsequently processed, too. The whole work process is a kind of "homage to the tape" because the entire work is completely recorded and realised on digital video tapes, without using any kind of computer program.