عريس مع إيقاف التنفيذ(1986)

The man who got his wife married(ar)

The play revolves around Safwat El-Sherbiny, who comes out of the grave to tell Ghafir his story with his manager at work who was abusive to him, and was trying in various ways to get close to his beautiful wife, desirous of her.

30 Days in Prison(ar)

Amshir works as a bodyguard in the cabaret owned by his Medhat al-Shamshiri, and a court sentences Medhat to a month in prison after he burned the mustache of a wealthy Upper Egyptian named al-Najawi. Amshir goes to prison instead of Medhat for money. in meanwhile Medhat relation with Azhar (al-Najawi girl) is revealed to Sohair (Medhat Fiance).

Al Ostaz Mazzika(ar)

والسيدة حرمه(ar)

Juha Governs The City(ar)

Extremely Happy Family(ar)

The story revolves around a family of several men and their wives who were living a happy happy life, until the doorbell rang one night to find a baby left behind behind the door and accompanied by a letter indicating that the child's father is from this family without identification, which raised the suspicions of the wives in their husbands.

Again, Again(ar)

A bank employee has been friends with two different men since childhood; however, when they both begin competing for her hand in marriage, they get into many comedic situations and paradoxes.

Love situation(ar)

Rajab (Fouad Al Muhandis) The shy, hard-working young man in his work loves Sawsan (Shweikar) his cousin and his partner Mitwalli the polygon (Abdel Moneim Madbouly), but she does not feel it and loves her cousin Elham Cabbage (Adel Imam) who is good at dancing and singing and is encouraged by her mother Zahra (Zouzou Chakib) but Metwally The polygon loves

She, I, and His Highness(ar)

No Info Available

My Wife's Ex(ar)

The events of the film take place in a social and comedic context, where the psychiatrist Youssef is responsible for issuing a psychological report on the dangerous criminal Taha until he is released from prison, and he discovers that he is the ex-husband of his wife Sahar and the father of her son.

Sayedaty El Gameela(ar)

Intensive Care(ar)

Wash is forbidden from publishing(ar)

Fourth floor, apartment 9(ar)

A play staring Ahmed Bdair and Ngah Elmogy

A Toxic Marriage(ar)

Karim and Farida want to get married. Worlds collide when families meet. Karim's family is conservative and his parents do not approve of Farida's liberal background, so they resort to a series of funny tricks and pranks to stop the wedding. Will their love triumph or break under social pressures?

Hello Shalaby(ar)

A comedic play about a struggling theater cast seeking funding to show one of its plays. They stay in a hotel waiting for the financier, but they don't have money to pay the hotel bill, thus getting them into troubles.

Raya and Sakina(ar)

Two sisters (Riya) and (Skina), start a gang to kidnap rich women with the help of Riya's husband. Skina, in an effort to avoid suspicion, try to marry a policeman who is not aware of the sisters' criminal activity.

The Bachelor Of Al Salmiya(ar)

Hilal Haji Ramadan is a single person in Salmiya who is a reckless and wasteful person, which leads not to multiply debts on him and chasing his debtors, and he has a friend who is a doctor close to him, but on the contrary, he is a human being, a messenger and a shark lover. A day will come and meet Hilal his princess while she falls in the Salmiya market, and her princess is the beautiful rich girl. He falls in love with her, and the irony lies in that she herself is his fiancée, his close friend, and the events continue until the princess admires Hilal and his opposite personality of his friend and falls in love with Hilal.

Two Madmen(ar)

The story revolves around a hotel that houses many people, including a woman who works in a bank and takes advantage of her beauty to marry rich people. Dalal, who is preparing to marry Abdel Shakour, comes to celebrate in the hotel and Abdel Shakour meets his old friend Abdul Jabbar.

Samet Sons(ar)

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.