
The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.


The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.
2007-01-01
10
6.1Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
6.8Mysterious Wakanda lies in the darkest heart of Africa, unknown to most of the world. An isolated land hidden behind closed borders, fiercely protected by its young king: Black Panther. But when brutal alien invaders attack, the threat leaves Black Panther with no option but to go against the sacred decrees of his people and ask for help from outsiders.
6.1It has been three years since the end of the series. Ryo works for NASA as an engineer on a large rocket project. Anise, fellow Borgman and lover, has been reduced to flipping burgers in a restaurant. So naturally, when she gets a letter offering her a professional job in a big, Japanese, high-tech project, she jumps at the chance. Ryo, however, is as indecisive as ever and so she leaves for Japan without him. Chuck Sweager, the third Borgman, is a police officer, as is his girlfriend Miki...
7.130 years ago, on June 23rd, 1991, Sonic the Hedgehog was released on the SEGA Genesis, beginning a new era of gaming. Since then, Sonic has been running through countless zones, beating badniks, and saving the world with the help of his friends. This performance is to thank you, all of you, for being there every step of the way, and to remind us all of the amazing journey we've been on. Happy 30th Anniversary, Sonic!
5.3A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.
7.0Upon arriving at the Digital World after the "reboot", the Digidestined are hunted by a new villain. Meanwhile, Sora is troubled by her partner Digimon's indifference towards her.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
6.6The Kingdom of the People of the Earth once ruled over the land, but now all that remains is the Sword of the Earth. in the city of Eindoak. Satoshi, Iris, and Dent arrive in Eindoak during a harvest festival's Pokémon Tournament and meet the legendary Pokémon Victini who wishes to share its powers of victory to someone. Elsewhere in the city, a descendant of the People of the Earth named Dred Grangil has arrived who seeks to revive the kingdom's power with the Sword of the Earth, bringing them back into power over the land, and Satoshi and his friends must stop him before he destroys the land along with Victini.
7.3A thrilling journey through legends, belief and folklore, this film goes behind the scenes with the British Library as they search to tell that story through objects in their collection, in an ambitious new exhibition: Harry Potter: A History Of Magic. J.K. Rowling, who is lending unseen manuscripts, drawings and drafts from her private archives (which will sit alongside treasures from the British Library, as well as original drafts and drawings from Jim Kay) talks about some of the personal items she has lent to the exhibition and gives new insight into her writing, looking at some of the objects from the exhibition that have fired her imagination.
6.5Two ice skaters develop a love-hate relationship while dreaming of Olympic glory.
6.8Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.
7.6Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.
10.0The Algerian Sahara is the most exceptional deserts. He densifies everything he hosts, men and nature, and invites you to pay attention to the world. Jean-Louis and Odette Bernezat were born at the foot of the Alps, but it was in the Sahara that they found their way, and devoted almost forty years to the discovery of this environment and have extraordinary knowledge to share. Director Maryse Bergonzat accompanies them, in a meha, in the Hoggar in Algeria, with their Tuareg friends. A privileged place to appreciate the desert, its landscapes, its inhabitants, its laws and its stories, in the company of exceptional guides.
10.0In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.
10.0"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.
10.0In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
6.8Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.
10.0Thierry Damilano and his team of Tuareg guides will take you on a trek in the Algerian Sahara, to discover the local culture with a mandatory visit to the hermitage of Father de Foucauld facing Assekrem, then climbing the legendary peaks of the Hoggar massif.
0.0During the Algerian war (1954-1962), some French people helped the F.L.N. in France.
8.5These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
10.0Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
Achour is thirty. Night and day, he walks. Rebellious soul, he crisscrosses Alger and its neighborhoods, stays at friends' houses and often leaves the city to meet the nearby montain in Kabylia, his alter-ego. In this environment, marked by war and terrorism, his resistance continues, mobile and ascending. Algerian hardcore-punk musician, Achour once screamed his anger against the country's regime and sang "Anarchytecture". But the movement died down, friends went their separate ways. His Facebook wall became his notebook, his window open to the world. It represents a scream aimed towards the echo of the mountains, between virtual wall, infinite facades of large complexes and the strata of mineral cliffs. A scream comes back at us.
10.0Immigrated to the Paris region since 1964, Kader decides to spend the summer holidays with his family in his native village, not far from Algiers. These few weeks, so eagerly awaited by both sides, constitute a special moment full of strong emotions. The camera follows the family in their meetings, their reunions, their difficulties, their visions of the country and its region, the celebrations, the weddings, their return to France… This film raises many questions. Within this family itself, between those who stayed in the country and those who emigrated to France, how do we perceive the situation in Algeria? What hopes do each of them have for their country? What about the Franco-Algerian relationship? Contemporary immigration? The desire for exile of Algerians today? Different discourses on both sides of the Mediterranean? The desires of each of them…
6.4Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.
0.0On March 29, 1947, peasants armed with sticks and knives attacked the French garrisons in Madagascar. The revolt would end twenty months later with the death of the last insurgents, shot down by the expeditionary force. France, accustomed to memory lapses, knew nothing of this insurrection and its trail of torture and abuses. In Madagascar, well after independence, the events of 1947 were never discussed. For more than a generation, parents refused to speak of them to their children. It wasn't until the 1980s that the silence was broken.
10.0Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.
10.0Born to an Algerian father and a Sicilian mother in Tunisia, I have always been wealthy of three cultures. This motherland is where were born my Algerian ancestors when it was called Ifriqya but also my Sicilian grand-parents whose parents were part of the important migration flux of the beginning of the last century. A reservoir of workforce by the thousands reached the shores of this "promised land". A hundred years later, I embark on a quest to rediscover my Sicilian family, exiled for the past sixty years, scattered between Italy and France.
7.2This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
10.0“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.
8.0Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.