Folia(NaN)

Dilution(en)

Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.

Letter to L.Y(en)

Letter to L.Y is Stephanie Mavi Garcia Panclas' second experimental film for their class. The film surrounds the feeling of nostalgia shown through the layering of video.

Red, Blue and Purple(en)

A man's mind jumps back and forth between increasingly extreme versions of the individual and the collective.

The Suicide Squeeze(en)

A fascinating case of narrative deconstruction, THE SUICIDE SQUEEZE is a '40s style whodunit pressed through the wringer of an optical printer.

Fuji(xx)

A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as it leaves the station sets the mesmerizing tone for the film's abstract panoramic survey of an Ozu-esque Japanese landscape of electrical power lines, passing trains, railroad tracks, and the gentle slope of obliquely peaked, uniform rooflines as Breer distills the essential geometry of Mount Fuji into a collage of acute angles and converging (and bifurcating) lines .

Terrarium of the Sleepless(en)

A fragmented story of unrequited love in the post-apocalyptic wasteland of the last colony on Earth, Puerto Rico.

Ghost Town(en)

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

Destruction of the Berlin Wall(en)

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

Lost In The Shadows(en)

A young man who is still living at his parent’s house wakes up in a very strange situation in the middle of the night. The house is dark and there is no trace of his parents. He searches for them and tries to find out what happened…

Early Abstractions(en)

Early Abstractions is a collection of seven short animated films created by Harry Everett Smith between 1939 and 1956. Each film is between two and six minutes long, and is named according to the chronological order in which it was made. The collection includes Numbers 1–5, 7, and 10.

Home and Hatred(en)

Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.

Before the Freeze(en)

Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.

CHASE(en)

A short film following a young woman as she's pursued by a mysterious stranger in the woods.

(NULL)(xx)

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Don't Die: The Man Who Wants to Live Forever(en)

In this documentary, wealthy entrepreneur Bryan Johnson puts his body and fortune on the line to defy aging and extend his life beyond all known limits.

Work Without Mistakes(xx)

The desire to grow closer to yourself will lead you to disappear. The simple desire to get a closer look at yourself makes you see yourself disappear. The possibilities of recording are limited.

Underwater Scream(xx)

A philosophical contemplation of the author about finding and losing yourself and the other in yourself. The film traces the opposition of photography and cinema.

The Russian Mute(ru)

In this film, Edward Sheglanov wanted to present a person as an element of language, and see how a sign lives. The film came together spontaneously, influenced by charming stories about the jazz improvisation of Cassavetes’ films. The author associates this image with the beginning of the garrulous and fruitless 1990s.

The Fall(ru)