Summer 2022, Damascus city, the fates of three People ( father, drunkard and a transport worker) intersect in one day due to a small incident, in which their plans and fates change, so all of them try's to survive their day with the least possible losses.
When a young family man runs into financial trouble, he takes a risky job with his criminal brother.
a man late for a date, runs into his high school sweetheart at a train station, here the pair briefly re-live the past and the messy end to their relationship.
The story of British officer T.E. Lawrence's mission to aid the Arab tribes in their revolt against the Ottoman Empire during the First World War. Lawrence becomes a flamboyant, messianic figure in the cause of Arab unity but his psychological instability threatens to undermine his achievements.
A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.
Sara is a judge very committed to the cases she hears in her office. After meeting David, a young artist, on the beach, she must make decisions about her work and her relationship with Lucas, her husband. Sara, through the force of the sea, wants to achieve spaces of freedom. The encounters with a Caribbean woman, Rosa, and an enigmatic man from the city, Virgilio, will be decisive in resolving her personal dilemmas and better understanding the meaning of justice in a society indifferent to the most marginalized people and with enormous inequality.
Little Fatmir, whose parents have worked in a construction site, dreams of building himself a town. In his efforts to make his dream a reality, the kindergarten teacher and a workman who brings in working tools for all his friends, assist him. Within the courtyard of a kindergarten, the newest town in the world is thus erected, where children's dreams and characters are revealed.
Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.
A young woman moves to another city after receiving a job promotion, but begins to be pursued by someone willing to end her life.
Laetitia and Yéliz are two teenage girls from a small suburban town who cherish the dream of opening a hairdressing salon together.
Helen suffers from a rare fear of chalk. One day she feels encroached by several chalk figures in Helsinki and decides to confront her fear. In the Amos Rex museum, she discovers the works of Keith Haring in a catalogue and adapts his style to her needs for catharsis.
Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.
Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.
Fourteen-year-old Li Xing lives in a district full of ruins and reconstruction. School brings him nothing but problems and his family is no help at all. One day, he finds an underground shelter where strange things happen...
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.