A person living in Liberty City goes to work, have some food & gets back home.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
In this rotoscope animation, Tom Waits sings about "The One That Got Away."
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
A flashback to the early life of the narrator/ protagonist 'Tanuk' (Juvenile) shows life in the Magnolia projects in New Orleans. He bears witness to his father's demise at the hands of local gangster Garr over a debt of $2000. Fast forward to the year 2000. Beatrice (Birdman aka Baby or #1 stunna) along with Tanuk, Chopper (B.G) and Teke (Turk) meet with representatives of a drug cartel and purchase a large batch of cocaine. We then see scenes of everyday business in Magnolia with Iceberg Shorty (Lil Wayne) selling some drugs.
An abstract animated film inspired by the work of jazz musician Chico Hamilton.
"Highway Hypnosis" - alternatively referred to as "white line fever" - is a dazed state in which a driver may travel long stretches of open road in a compliant and normal fashion, yet with little-to-no recollection of how their destination was reached.
Cores (Colours) is an experimental and independent animation by Clint Bones. Using Stop-Motion Animation, this film is about Palestine and their long combat with Israel. All that following a 60´s Psychedelia inspired visual.
A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.
An influencer gets canceled and goes on a journey that forces him to view his life through the lens of social media.
A man is chased by a mysterious person who wants to end his life.
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leader, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".
Fleshworm Dreams is a trippy, kaleidoscopic visual experience that pairs with an abstract, experimental nature record. Think of it like looking through a constantly shifting kaleidoscope—vibrant colors, strange shapes, and mesmerizing patterns swirling together in a beautiful, almost hypnotic way. It’s a chill, weird, and visually stunning ride, where the lines between nature and imagination blur.
An abstract, experimental, personal reappraisal of experiences and crises - the project was the result of an experiment.
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
A short stream of consciousness of a man who is drinking Absinthe to blur the lines between dominant and submissive identity.
A girl appears like a comet, shining small and bright. Her glorious singing voice overlaps with more than a million stars. Finally, the second stage arrives. Hoshimachi Suisei 2nd solo live, "Shout in Crisis". Let's observe together a dreamlike moment spent in the galaxy. Features old favorites from her first album "Still Still Stellar" and many new hits from her 2nd album "Specter"!
Here the artist creates a world of color, form, movement and sound in which the elements are in a state of controllable flux, the two materials (visual and aural) are subject to any conceivable interrelation and modification.