Este maldito país(2008)

Reila(nl)

Who are we? Psychoanalysis of Ukrainians(uk)

The Grass is Greener on the Other Side(cn)

Thousands of Hongkongers, still living in the shadow of the 2019 protests, are immigrating to the UK to forge a freer future. This film documents their struggle to break free from a homeland that is no longer welcoming, while holding on to the Hongkonger identity in which they find purpose. In exile, can the Hongkonger identity persevere, or is it destined to obscurity? Can they really find a place to call home?

All about clandestine girl.(nl)

Slay the Gender(fr)

Through testimonies from people who practice the art of drag, this short film offers an intimate insight into this world of rhinestones and glitter.

We(fr)

An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.

La voz del huito(es)

Luis Tayori is an indigenous Harakbut descendant whose origins trace back to the depths of the Peruvian jungle. Years after the first contact with Dominican missionaries, Luis recounts the memories of his childhood and those of his grandparents.

You Are My Audience(en)

Features stories from around the globe that explore identity and relate to one another in unexpected and meaningful ways. This documentary traverses the inner worlds of diverse characters as they face their own parallel identities.

Before Summer Ends(fr)

After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.

Iranian Yellow Pages(en)

Striving to build a successful life in London, Reza places an ad in a peculiar newspaper and discovers the Iranian community hidden in plain sight. Winner of the Netflix Documentary Talent Fund.

Where are the African Gods?(en)

A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.

Jordan River Anderson, The Messenger(en)

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

CodeSwitching(en)

CodeSwitching is a mash-up of personal stories from three generations of African American students who participated in a landmark voluntary desegregation program. Shuttling between their inner-city Boston neighborhoods and predominantly white suburban schools in pursuit of a better education, they find themselves swapping elements of culture, language, and behavior to fit in with their suburban counterparts – Often acting or speaking differently based on their surroundings, called code-switching.

Five Ways to Darío(es)

Since more than 10 years the director Darío Aguirre lives between two totally different worlds, Germany and Ecuador. He decides to make an extraordinary journey, visiting five unknown men called Darío Aguirre as well: One in Mexico and four in Argentina. Meeting each other develops into a reconcilement with their own past lives and permits a brief glance into the protagonists’ present time. For two months Darío shares five different lives, adapting himself to situations and activities he has never done before.

Africa Light / Gray Zone(en)

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

A Wealth of Nations(en)

Experimental ethnographic digital feature exploring International student and teacher identity expressed through musical performance at the University of Jinan, Shandong, China.

The Judge(en)

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

Seed of the Son(es)

Spanish musician Santiago Auserón soaked up the rhythmic wisdom of son during his first visit to Cuba in 1984, an influence he soon transferred to his own work.

Openland(en)

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

Who's Afraid of Kathy Acker?(en)

Documentary tracing the extreme life of outlaw writer, performance artist and punk icon, Kathy Acker. Through animation, archival footage, interviews and dramatic reenactments, director Barbara Caspar explores Acker's colorful history, from her well-heeled upbringing to her role as the scribe of society's fringe.