Gaumont Treasures 1897-1913(2005)

Return(en)

After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.

Men(en)

Men will be men.

1-2-3(tl)

Matrix(en)

"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle

Star(ta)

Follows a youngster Kalai and his aspirations of becoming a 'Star' in the Tamil Film Industry. Born in a lower-middle-class family, will Kalai overcome all his struggles to emerge as a Star?

Red(en)

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Return(en)

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Return(fr)

Return(en)

A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.

Jennifer Lopez: Let's Get Loud(en)

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

Taxi 2(fr)

A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.

Dragon Ball Z: The Tree of Might(ja)

Goku and friends must stop a band of space pirates from consuming fruit from the Tree of Might before it's destructive powers drain Earth's energy.

RETURN(ja)

8mm work directed by Norihiko Morinaga.

Star(hi)

Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?

Star!(en)

Gertrude Lawrence rises to stage stardom at the cost of happiness.

Dragon Ball Z: The Return of Cooler(ja)

Cooler has resurrected himself as a robot and is enslaving the people of New Namek. Goku and the gang must help.

Return(hy)

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

UFC 228: Woodley vs. Till(en)

UFC 228: Woodley vs. Till is a mixed martial arts event produced by the Ultimate Fighting Championship held on September 8, 2018 at American Airlines Center in Dallas, Texas.

Rocky IV(en)

Rocky Balboa proudly holds the world heavyweight boxing championship, but a new challenger has stepped forward: Ivan Drago, a six-foot-four, 261-pound fighter who has the backing of the Soviet Union.

Indian Summer(en)

On the first hot day of summer, an old farmer goes fishing just as he has done for many years on the West Branch of the Delaware River. A young boy, his frequent fishing companion, eagerly takes him to see the first giant bulldozers, which are to begin construction on the Cannonsville Reservoir. In order to provide more water for the cities, the vast project will flood the valley. The old man goes to the general store and walks the length of the valley to talk about his concerns, but most people do not support him. The young people of the valley celebrate at a barn dance. The old man resists eviction with his unloaded flintlock. The next day, he watches as the houses and farms are burned to clear the way. His friend, the fiddler, picks him up and takes him and his few belongings away.

The Cemetery of Cinema(fr)

Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.

Archive of Life(en)

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.

Inside the Keystone Project(en)

Documentary short regarding the preservation and restoration of the worldwide remains of the Keystone films.

Apostles of Cinema(sw)

Apostles of Cinema follows Frank, DJ Black, and Rehema — three devoted film workers in Tanzania — as they reintroduce a classic piece of the country’s film history to their audiences of working class cinephiles. We join them, alongside Maangamizi: The Ancient One (2001), on a journey through the labyrinth of informal libraries, studios, and cinemas that exist to keep film and film culture alive. A testament to the profound cultural value of film when made truly accessible.

The Film That Was Lost(en)

In this John Nesbitt's Passing Parade short, a look is taken at the problems of film preservation efforts in the 1930s and early 1940s.

Forgotten Treasure(en)

This John Nesbitt's Passing Parade series short highlights the film preservation efforts of the Museum of Modern Art in New York. Several scenes from early newsreels are shown.

Tudo Por Amor ao Cinema(pt)

A documentary on Cosme Alves Netto (1937-1996), former head of the Cinematheque of the Museum of Modern Arts at Rio de Janeiro.

These Amazing Shadows(en)

Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.

Against the Grain(en)

A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.

Fragments: Surviving Pieces of Lost Films(en)

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

Cinemateca Potiguar: Dez Anos de Memórias(pt)

The Bannfoot Ferry(en)

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

Hard Luck: The Last Short to Be Found(en)

Documentary about the Buster Keaton short Hard Luck (1921).

The Paleface... And Other Titles(en)

A discussion on restoring title cards to English from foreign source prints.

On Scoring Cops and Helping Silent Films Live Again(en)

Ben Model discusses scoring music for silent movies.

Day Dreams and the Problems of Missing Film(en)

Documentary on Day Dreams (1922), a Buster Keaton silent comedy.

Finding Vivian Maier(en)

Vivian Maier's photos were seemingly destined for obscurity, lost among the clutter of the countless objects she'd collected throughout her life. Instead these images have shaken the world of street photography and irrevocably changed the life of the man who brought them to the public eye. This film brings to life the interesting turns and travails of the improbable saga of John Maloof's discovery of Vivian Maier, unravelling this mysterious tale through her documentary films, photographs, odd collections and personal accounts from the people that knew her. What started as a blog to show her work quickly became a viral sensation in the photography world. Photos destined for the trash heap now line gallery exhibitions, a forthcoming book and this documentary film.

Rescuing a Fantasy Classic(en)

A comprehensive and fascinating behind-the-scenes look at the restoration process of restoring 3-strip Cinerama for the 1962 film "The Wonderful World of the Brothers Grimm".

Film: The Living Record of Our Memory(en)

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.