Indian documentary about Indian film history and P. K. Nair, the founder of the National Film Archive of India and guardian of Indian cinema. He built the archive can by can in a country where the archiving of cinema was considered unimportant.
Self
Self
After the passing of her husband, Mrs. Mahajan takes care of four institutions, and lives a comfortable lifestyle with her two sons - Dr. Mohan and his wife, Maya; and Advocate Subhash Mahajan, his wife, Savitri, and their daughter, Rani. Savitri is unhappy as she wants a career for herself. She finally gets a chance to prove her skills in social services when she gets a job offer as Superintendent of a Women's Reformatory Home in distant Sangamwadi. Although Rani and Subhash as well as the rest of the family oppose her going, she has made up her mind.
To revenge brave jay Zakara, evil crown Kvanchala teams with a fox and kidnaps Zakara's bride Ketevan from the wedding. Kvanchala's cruel plan fails as Zakara's friends help him to rescue Ketevan and the fiesta continues.
It is wedding days or rather wedding dreams for Rachel. Sam, her pilot boyfriend of 3 years, wants to take his time to commit to marriage, but deciding against tradition is still on the horizon.
In December 1977, two French nuns, Alice Domon and Léonie Duquet, were kidnapped in Buenos Aires by a squad of commandos from the Argentinean Navy. They were held and tortured at the ESMA - the School of Naval Engineering and were never seen again. Moving tale based on letters Alice Domon sent to her family and friends back home as well as on the testimony of many friends in Argentina who remember her humanity and courage. She shared the lives of those in need, helped heeling their sick and bringing in their crops. And she raised their political awareness - which brought her to the attention of the regime. A film retracing recent history that is by no means in the past.
Waitress and animal lover, Molly Bishop is desperate for a holiday miracle. Broke and needing major car repairs, she's counting on a big career opportunity to come through before the holidays - without using her family's name to get there. But when handsome cafe regular and do-gooder Aiden Ford starts to meddle in her life, Molly will have to figure out if it's too much or just the holiday miracle she needed.
Recalls the two week manhunt for John Wilkes Booth, the actor who shot and killed President Abraham Lincoln at Fords Theater in April 1865.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
Krishnaveni runs away from home to elope with her lover, Kishore, who does not show up. Gani, a self-centred man, plans to take her to her father, hoping to make a quick buck.
Four women who have reached the bottom of despair are ready to do anything to re-surface again. And at that very moment life offers them the most absurd opportunity-to fulfill their dream. On the borderline between fantasy and reality the four of them realize that when you have nothing you can risk everything. They rush into a planned bank robbery without realizing that money is the last thing they need. Because fate collides them with people who dream as well.
Brad Stine is an original. Not only is this comedian an unabashed Christian and political conservative, but he's also one of the hottest comedians in America today. From his candid profile of the New Yorker, to his TV appearances on Hannity and Colmes and Paula Zahn Now, Brad Stine is going where no other Christian conservative comic has gone before, breaking new ground with his inspiring in-your-face style that is seen full force with his latest album, Brad Stine...Tolerate This! Most contemporary comedy is from the left, Brad Stine is comedy for the OTHER half of America!
In one of the most beautiful places on the planet, a father wants his young son to witness his last breath to arrive at a deeper understanding of life.
Across the world, people play video games every day. From mindless Phone time-wasters to expansive deep console adventures, video games are now an essentials part of our lives and culture. In the past, gaming has been painted negatively in popular media. "Anti-Social", "Lazy", "violent" are the buzz words that floated around, misrepresenting the gaming community. Through their love of video games, a team formed from across the world to raise money for charity using a common hobby. How does a gathering of just a couple friends turn into a multi-million dollar fundraiser, and what lessons did they learn along the way? Money Making Game is a story of friendship, love, and growth, and how they used it to change the world.
In 2011 Robin van Persie became the 17th Arsenal player to score 100 goals, impressively completing the feat in fewer than 20 appearances. This programme features each magnificent strike from the Arsenal captain.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
This horror documentary is not the same as the 1986 TV special Stephen King's World of Horror nor the 1988 VHS release of the same name, which runs 45 minutes, was distributed by Front Row Entertainment and is about King himself. Instead, This Is Horror (copyright 1989) was a TV special which ran in four 60 minute increments. This new special used some framing footage from the original 'World of Horror' but is primarily newer interviews and behind-the-scenes footage about what was hot in horror in the late 80s. Here in the U.S., a condensed 90-minute version made its way onto video courtesy of Goodtimes in 1990. Elsewhere, the entire special was released as 2 different tapes running 90 minutes apiece. In the UK these were titled This is Horror: A Video Encyclopedia of Horror (Volumes 1 and 2) and in Germany they were called Best of Stephen King's World of Horror (Parts 1 & 2).
Experimental educational film reveals the emergence of some ideas of Biophysics in historical, philosophical and methodological aspects. The first film from the Biophysics Cycle (1982-1989).
A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.
A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.
Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
On the first hot day of summer, an old farmer goes fishing just as he has done for many years on the West Branch of the Delaware River. A young boy, his frequent fishing companion, eagerly takes him to see the first giant bulldozers, which are to begin construction on the Cannonsville Reservoir. In order to provide more water for the cities, the vast project will flood the valley. The old man goes to the general store and walks the length of the valley to talk about his concerns, but most people do not support him. The young people of the valley celebrate at a barn dance. The old man resists eviction with his unloaded flintlock. The next day, he watches as the houses and farms are burned to clear the way. His friend, the fiddler, picks him up and takes him and his few belongings away.
Argentinian film historians find a complete print of Fritz Lang's “Metropolis” (1927) at Buenos Aires Film Museum and take it to Germany for its restoration.
A 3 Part Collection of More Than 75 Early Films by Alice Guy, Louis Feuillade and Léonce Perret. The invention of cinema—and its growth into a sophisticated art form—are vividly brought to life in this massive collection of films from the early years of the influential Gaumont Film Company. Each disc is devoted to one of Gaumont’s artistic directors, who oversaw all film production at the studio, and profoundly influenced not only the identity of the studio but also the evolution of the cinema itself.
A comprehensive and fascinating behind-the-scenes look at the restoration process of restoring 3-strip Cinerama for the 1962 film "The Wonderful World of the Brothers Grimm".
Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).
Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.
Documentary on Day Dreams (1922), a Buster Keaton silent comedy.
Vivian Maier's photos were seemingly destined for obscurity, lost among the clutter of the countless objects she'd collected throughout her life. Instead these images have shaken the world of street photography and irrevocably changed the life of the man who brought them to the public eye. This film brings to life the interesting turns and travails of the improbable saga of John Maloof's discovery of Vivian Maier, unravelling this mysterious tale through her documentary films, photographs, odd collections and personal accounts from the people that knew her. What started as a blog to show her work quickly became a viral sensation in the photography world. Photos destined for the trash heap now line gallery exhibitions, a forthcoming book and this documentary film.
This John Nesbitt's Passing Parade series short highlights the film preservation efforts of the Museum of Modern Art in New York. Several scenes from early newsreels are shown.
A documentary on Cosme Alves Netto (1937-1996), former head of the Cinematheque of the Museum of Modern Arts at Rio de Janeiro.
Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.
This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.
In this John Nesbitt's Passing Parade short, a look is taken at the problems of film preservation efforts in the 1930s and early 1940s.
Documentary short regarding the preservation and restoration of the worldwide remains of the Keystone films.
Apostles of Cinema follows Frank, DJ Black, and Rehema — three devoted film workers in Tanzania — as they reintroduce a classic piece of the country’s film history to their audiences of working class cinephiles. We join them, alongside Maangamizi: The Ancient One (2001), on a journey through the labyrinth of informal libraries, studios, and cinemas that exist to keep film and film culture alive. A testament to the profound cultural value of film when made truly accessible.
Documentary about the Buster Keaton short Hard Luck (1921).