With a career spanning well over a decade in the bloodiest, most violent subgenre of pro wrestling, David "Gweedo" Brown reflects on his time as a deathmatch wrestler.
Himself
Herself
Himself
With a career spanning well over a decade in the bloodiest, most violent subgenre of pro wrestling, David "Gweedo" Brown reflects on his time as a deathmatch wrestler.
2021-09-21
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In the context of Australia's cold war a 'hidden history' of Melbourne's Realist film movement (1945-1959) is explored through the first person account of a filmmaker of another generation, speaking to the 'indy-media' movement of the present day.
Bikes for Africa is an entertaining, insightful and moving documentary following the life adventures of Hap Cameron and Mandy Todd, and their attempt to help implement a self sustainable bike workshop in rural Namibia with a container load secondhand donated bikes from Melbourne. The film investigates how a bicycle can fundamentally change the lives of rural Africans, and brings to focus the great works of two-wheeled charities Bicycles for Humanity and the Bicycling Empowerment Network Namibia.
In the 1870s Victorian politicians debated the virtues of constructing a 20km-long railway through Melbourne's east, simply to circumvent a privately-owned railway from South Yarra to Flinders Street Station. By 1878 the private railway had been purchased by the Victorian Government and there was no longer a need to build the orbital railway. But greedy politicians pushed legislation through parliament, authorising the construction of the railway through their own private land holdings. This is the story of Melbourne's Outer Circle Railway.
Rowland S. Howard, the Primitive Calculators, Ollie Olsen, Phillip Brophy and many others proffer their recollections and air their animosities in a tribute to the underground music scene of '77-'81 in Melbourne, Australia. This is a warts and all look at the Melbourne underground music scene of 1977 to 1981 that spawned the likes of Nick Cave, Rowland S. Howard, Ollie Olsen, The Birthday Party, the Primitive Calculators, The Ears as well as venues such as the Crystal Ballroom and others that fostered what became known as the Little Band scene.
The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.
This documentary program follows the intense transformation of Aretha from “awkward loner” to “cool person”, by talking to some of the coolest people ever known (in Melbourne), as she gains secret insider knowledge in hopes that they can help her to overcome being a social reject.
Aki's Imagination is imbued through Tobu Himeo aka the Floating Girls. As a Japanese born Australian artist, Aki Yaguchi moulds her artwork around the interplay between her heritage and being a women within a male dominated space.
Victorian Queens takes a deep dive into the weird, wonderful and utterly unique landscape of Melbourne's drag community.
A short look into the minds of Melbournes graffiti writers and the relationship Melbourne has with its adopted graffiti culture.
Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.
Ian Stahlhut's 1992 documentary of Judy Garland's 1964 Australian Tour.
A documentary focused on Melbourne's music scene around the year 2006. Features bands such as HTRK, The Stabs, Cosmic Psychos, Rod Cooper, and Love of Diagrams.
Australian writer Wongar lives a secluded life taking care of his 6 dingoes for which he believes embody the spirits of his tragically lost Aboriginal family.
Decades before Magic Mike and The Chippendales there was Crystal T's – the home of Melbourne's very own all-male nude revue. FOR HER EYES ONLY is a fascinating 1985 documentary by filmmaker Brian Jones ('Coming Of Age') that shows Melbourne, Australia at a turning point, shaking off the prudishness of the past to embrace a new sexual freedom that was sweeping the nation.
When Melbourne’s cultural hub is left devastated post-pandemic, the creative industry, like many others, is ravaged. Set amongst the ashes of the cities arts scene, BOHEMIA is a hybrid of documentary, music video, and next generation concert film that powerfully recounts the story of this fallen angel of Australian culture and asks the looming question: “what now?”. Shadowy underground musician VANTA and debutant director Madeline Royce team up with a decorated collective of young creatives to contend that art in the pandemic need not be a compromise, but an evolution.
Documentary based around performances of mostly Melbourne-based bands, including: My Disco! (Melbourne), Love Of Diagrams (Melbourne), Tucker B's (Sydney), Colditz Glider (Melbourne), Mukaizake (Perth), Aleks And The Ramps (Melbourne), Eddy Current Suppression Ring (Melbourne), Bang! bang! Aids! (Melbourne), Die! Die! Die! (New Zealand), The Tigers (Perth), Baseball (Melbourne)
In the 1800s, brickmaking was one of the largest manufacturing industries in Australia. Hoffman's Brickworks in Brunswick, Victoria, was a leader of this industry, running for 133 years and fostering a strong union. Indeed Hoffman's was the birthplace of the Brickmaker's Union in Victoria. In this film, director Grant Hobson covers the final week of operation of this historic site, in December 1993. He interviews the union representatives and the close family of workers, some of whom he is able to reunite in May 2010 on the site. It is a nostalgic reflection on the heyday and demise of brickmaking in Victoria, as well as capturing the colourful personalities that illustrate the post-war migrant experience in relation to work and settling in Melbourne.
'25' are two unknown, indie songwriters in a bare bones studio on a train in the industrial West of Melbourne - Australia’s music capital. They plan to write, record then release a fresh song every two weeks of the year. Cath loves pop; Nick loves garage rock. She wants jazz flute; he wants a dirty guitar. Is this ever going to work or are they totally deluded? Is it an impossible goal?
Eddie is a principled man, with a wife, a daughter and a mortgage and leads a seemingly stable and happy life as a government land assessor. Yet when the forces of economic and social change threaten this, he realises just how fragile his reality and security is. After losing his job, he checks his bank balance and finds he has only 'three dollars' to his name.