In the context of Australia's cold war a 'hidden history' of Melbourne's Realist film movement (1945-1959) is explored through the first person account of a filmmaker of another generation, speaking to the 'indy-media' movement of the present day.
Himself
Herself
Himself
Himself
In the context of Australia's cold war a 'hidden history' of Melbourne's Realist film movement (1945-1959) is explored through the first person account of a filmmaker of another generation, speaking to the 'indy-media' movement of the present day.
2006-02-16
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David Parkinson reconstructs the documentary he directed in 2018 about Muckie, the Muckross Lake monster, in an attempt to definitively figure out what it was, while also exploring ideas around it and other cryptids.
Academy Award-winning actor Alan Arkin discusses his life and career with TCM host Robert Osborne at the 2014 TCM Classic Film Festival.
Feature-length documentary on the making of the 1984 slasher film classic.
An overview of the making of Wolf Creek (2005).
Documentary following the history of America's first cinematographers.
Bikes for Africa is an entertaining, insightful and moving documentary following the life adventures of Hap Cameron and Mandy Todd, and their attempt to help implement a self sustainable bike workshop in rural Namibia with a container load secondhand donated bikes from Melbourne. The film investigates how a bicycle can fundamentally change the lives of rural Africans, and brings to focus the great works of two-wheeled charities Bicycles for Humanity and the Bicycling Empowerment Network Namibia.
The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.
Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.
Superfan David Whiteley celebrates the unsung British heroes behind the first film in the Star Wars’ franchise, 1977’s eponymously titled Star Wars. The Star Wars saga ends with the release of The Rise of Skywalker in December 2019. This documentary celebrates where it all began. It includes previously unheard stories from the people who made one of the most successful movies of all time, with additional interviews and previously unseen behind-the-scenes footage. The presenter, Star Wars superfan David Whiteley, who has his own connection to the original film (he was born on May the 4th), tracks down the often modest British talent who brought the galaxy to life. David explores the contribution of the London Symphony Orchestra and meets Ann Skinner, who was in charge of continuity. As well as seeing her original stills from the set, Ann reveals how she helped Sir Alec Guinness with one of the most famous speeches in Star Wars.
Rowland S. Howard, the Primitive Calculators, Ollie Olsen, Phillip Brophy and many others proffer their recollections and air their animosities in a tribute to the underground music scene of '77-'81 in Melbourne, Australia. This is a warts and all look at the Melbourne underground music scene of 1977 to 1981 that spawned the likes of Nick Cave, Rowland S. Howard, Ollie Olsen, The Birthday Party, the Primitive Calculators, The Ears as well as venues such as the Crystal Ballroom and others that fostered what became known as the Little Band scene.
In the 1870s Victorian politicians debated the virtues of constructing a 20km-long railway through Melbourne's east, simply to circumvent a privately-owned railway from South Yarra to Flinders Street Station. By 1878 the private railway had been purchased by the Victorian Government and there was no longer a need to build the orbital railway. But greedy politicians pushed legislation through parliament, authorising the construction of the railway through their own private land holdings. This is the story of Melbourne's Outer Circle Railway.
E! Entertainment special on the making of Sam Raimi's first Spider-Man film.
A documentary on the making of The Amazing Spider-Man 2 (2014), featuring interviews with the cast and crew, as well as behind-the-scenes footage.
A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
In the 1800s, brickmaking was one of the largest manufacturing industries in Australia. Hoffman's Brickworks in Brunswick, Victoria, was a leader of this industry, running for 133 years and fostering a strong union. Indeed Hoffman's was the birthplace of the Brickmaker's Union in Victoria. In this film, director Grant Hobson covers the final week of operation of this historic site, in December 1993. He interviews the union representatives and the close family of workers, some of whom he is able to reunite in May 2010 on the site. It is a nostalgic reflection on the heyday and demise of brickmaking in Victoria, as well as capturing the colourful personalities that illustrate the post-war migrant experience in relation to work and settling in Melbourne.
A short documentary on the Francis Ford Coppola musical One From the Heart.
This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.