Self
2021-09-21
0
Filmed at Benning's home in Val Verde during the first month of the pandemic, the film is a portrait of that time.
A cinematic and introspective look at the residents of a Quebec town—once the site of the world's largest asbestos mine—as they grapple with their community's industrial past. Striving to honour their heritage while reconciling with their history and forging a new path forward, the miners delve into the intricacies of progress and healing.
An inside look at the historic, multi-national race to research, develop, regulate, and roll out COVID-19 vaccines in the war against the coronavirus pandemic.
The COVID crisis triggered a real war against the virus. Civilian or military, medical, paramedical or logistical personnel all joined forces to try to deal with it. At the Hôpital d'Instructions des Armées in Percy, in the south of Paris, this real tour de force is both human and technical. On every floor, the staff was confronted with this crisis situation requiring cohesion, adaptation, commitment, immediate decisions, unprecedented actions... with a common objective: to unite to save lives. What has this crisis changed in their profession?
From dungeon-like basements to worldwide phenomenon, ADVENTURE NEVER ENDS: A TABLETOP SAGA explores how tabletop role-playing games have fought their way through decades of trial by fire to emerge at the height of pop culture- now shaping and bringing together millions of lives through storytelling. The film takes a behind the curtain look at an open community of fans, as well as youth programs who use tabletop role-playing games to promote socialization, team building, and empathy.
At the beginning of the year 2020, a relentless plague sweeps the planet and, as a consequence, a global lockdown is gradually decreed: how did people from very different latitudes, living necessarily very different situations, experience this shared solitude? How did people adapt to the restriction by decree of their personal freedoms and the transformation of many bustling metropolises into ghost cities?
In the climate of a global pandemic, COVID-19 vaccines were rolled out under emergency use authorization after a much shorter than normal testing period. Millions of people rolled up their sleeves because they were told they were doing their part to end the pandemic. But for some—it didn’t go as expected. The Unseen Crisis is a feature-length documentary that provides an intimate, uncensored look into the lives of those who live with the debilitating after-effects of the COVID-19 vaccines. It examines the issue of COVID-19 vaccine injury claims in a fresh, honest, and comprehensive manner with expert interviews, whistleblowers’ statements, and government health statistics.
This documentary recounts the experiences of people on the ground in the earliest days of the novel coronavirus and the way two countries dealt with its initial spread, from the first days of the outbreak in Wuhan to its rampage across the United States.
Following the class of 2020 at Oakland High School in a year marked by seismic change, exploring the emotional world of teenagers coming of age against the backdrop of a rapidly changing world.
Five young filmmakers share stories of their families, who were on the frontlines during the first wave of the Coronavirus. These intimate accounts shine a light on families caught in chaos and crisis, in a city hiding from a deadly virus, in a country riven by social upheaval.
Kapwa, a Filipino term that means "togetherness" or "neighbor", is a recognition of a shared identity; an inner self that is shared with others. WHO WE BECOME is a story of kapwa and follows three Filipino women each coming into their political consciousness and discovering themselves during a pivotal moment in their lives.
After crossing 11 countries irregularly to seek asylum in Canada, Peggy, Simon and their three children are waiting for the hearing that will determine whether they get refugee status or not. Having fled political repression in the Democratic Republic of the Congo, the family tries to rebuild a peaceful life in Montreal, in spite of the constant threat of deportation. Between ghosts from the past, hopes for the future, a complex legal maze and seemingly endless trial, the film delves into the struggle of the Nkunga Mbala family to remain in Canada. Offering unprecedented access to their hearing before the Immigration and Refugee Board, the film unveils the opaque process of claiming asylum in Canada.
This second episode of the Covidland series, The Mask, uncovers the real science behind face coverings and exploreds the physical and mental health impacts of facemasks.
In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.
Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.
Ready or not, society is in a process of redefinition. What goes through people’s minds in a situation like a toilet paper shortage? The term COVID-19 stands for something invisible, stoking fears strong enough to cause stock markets to melt like snow in springtime. As filmmaker Georges Hannan’s 91-year-old mother puts it, “I’ve never seen anything like this.” It has prompted him to embark on a gradual reflection over time, in a part of the world like any other: Atlantic Canada. Call it a fishing expedition with camera and microphone, into the unknown.