
À Propos De... L'autre Détail(1985)
Documentary edited from testimonies on the torture of people who experienced the war. Some witnesses were tortured by Jean-Marie Le Pen. These testimonies will help defend the newspaper Le Canard Enchaîné in court against Jean-Marie Le Pen for defamation. The film was shown in 1985 during the trial and some witnesses also came to support the newspaper. But the 1963 amnesty law protects the politician, prohibiting the use of images that could harm people who served during the Algerian war.

Movie: À Propos De... L'autre Détail
Top 9 Billed Cast
Self
Self
Self
Self
Self

À Propos De... L'autre Détail
HomePage
Overview
Documentary edited from testimonies on the torture of people who experienced the war. Some witnesses were tortured by Jean-Marie Le Pen. These testimonies will help defend the newspaper Le Canard Enchaîné in court against Jean-Marie Le Pen for defamation. The film was shown in 1985 during the trial and some witnesses also came to support the newspaper. But the 1963 amnesty law protects the politician, prohibiting the use of images that could harm people who served during the Algerian war.
Release Date
1985-09-20
Average
9
Rating:
4.5 startsTagline
Genres
Languages:
FrançaisKeywords
Recommendations Movies

Mauss, Segundo Suas Alunas(pt)
Biography of the ideas and teachings of Marcel Mauss, considered the founder of Anthropology who lived and wrote in the first half of the 20th century, in France. His work is discussed through the testimony of three students, carried out in Paris between 1997 and 1999. Denise Paulme died 4 months after the interview, Germaine Diertelen died 9 months later and Germaine Tillion, aged 95 in 2002, still works. The three were part of the first generation of French anthropologists, formed in the 1930s.

Six Hours: Surviving Typhoon Yolanda(en)
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
Comrades in Dreams(de)
Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

¡Que padre tan padre!(es)
Two feuding families are affecting the quality of life in a small town. The Church wants to intervene, but the local Priest is sorta helpless, so he brings in a younger, more aggressive, gitterdone Priest to attack the problem.
Innocent(en)
Based on a true incident, Innocent is the compelling tale of five disparate lives that become inextricably entangled one cold Chicago morning. Told in real-time, Helix is America's first action crime drama ever to be shoot in one continuous take without any edits. Ashley, a beautiful young woman is abducted by two desperate urban youths. A street dweller, witnessing the dramatic events, is torn between becoming involved and remaining silent. Completing the cast of characters is a corrupt cop who too late realizes the devastating implications of his self-serving motives. The non-stop thriller, designed to be both gripping and thought-provoking, taps the themes of individual choice, courage, survival, loss of innocence and redemption.

Woman and Gramophone(sv)
A woman, a gramophone and the strange melodies of life.

A Nightmare Come True(en)
Eerie dreams that haunt a young nurse heighten the mystery surrounding her mother's sudden disappearance.

Réveil Botanique(fr)
A restless sleep and chlorophyll tinted dreams. A short visual experiment within a character's introspection.
Næste Gang er det dig(da)
The cause of the traffic accident should not be sought at the time of the accident itself, but long before. The motorist who has been drinking a little. The cyclist who is busy and the motorcyclist who drives correctly but still falls victim to an accident due to the ruthlessness of others.
Die verschwundene Frau(en)
An official justice assistant supposes behind a letter which falls to him by chance in the hands, a crime and gets going with his crimi-sleuthing energy an unclear confusion.

Nova & Alice(sv)
Nova and Alice are two contrasting artists who are reluctantly forced to go on a joint tour by their manager. The clash is inevitable - both musically and personally.

Family Troubles(en)
Our Gang member Janet Burston believes that her family is neglecting her, so she decides to run away from home. The other gang members try to help Janet get adopted (or "adapted") by a more agreeable family, choosing a kindly elderly couple (Sarah Padden and Harry C. Bradley) for the honor.
The Long Drive(ro)
Savu and Panait, two drivers working for a firm of construction and assembly must ensure the movement of a giant machine. Along the way, she meets Miriam, a young gone to meet his fiance even transport your destination. Identity documents and stolen his train ticket. The two drivers decide to give her journey. After a night in a motel, drivers have an argument that is not foreign to the presence of Mary. For their silence, Savu decides to disembark. Not long after, overcome by remorse, turn back looking for her and thus reach his village which had left years ago. Here, Maria discovers drama of the human soul, wounded by an unhappy marriage. Arriving at your destination, are the husband of Mary is already married two months. Two men and a woman on the road to return, beyond sadness after a ravishing experience.

HeBGB TV(en)
A multidimensional cable box installs itself into a neighborhood and slowly, the world. Two siblings (Van and Willow Reiner) discover a mysterious package on their porch and are taken on a wild channel-surfing journey through a world of television mayhem. Welcomed by their new friend, The Purple Guy (Knucklehead), this brother and sister find themselves standing up to the box’s algorithm to protect their minds. DIY to its core, HeBGB TV is a spooky, sci-fi story that takes you through the horrors and laughs of cable television. This film is a cacophony of comical commercials, perverse puppets, and monstrous music with a naughty dose of 90s nostalgia. HeBGB TV is indie horror comedy at its queerest. Don’t touch that dial!

The Yilan Love Story(zh)
There was a businessman named Chang Hai who grew up in a small town and had an income of tens of thousands of yuan. While Chang Hai was living his life casually on the pile of money, he unexpectedly ended up in a parallel world. Chang Hai of the parallel world returns to the first love he abandoned through thick and thin. I have to go through the life of a brother and sister, so a rich man Chang Hai can't live, so he has to try to go back to his world. When he tries to return to his original world, we have to watch with humor the mistakes and how he tried. For those who like Chang Hai, when he returns to his world, he doubts whether the happiness he received is real happiness and how he tries to return to the true happiness of life.
Similar Movies

My Story Is Not Yet Written(fr)
Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.

In Mansourah You Separated Us(fr)
Originally there was a silence. That of Malek, the filmmaker’s father, who for years said nothing of his childhood in Algeria. And then, the need to break the silence, with a script that he gives to his children, to start telling his story. Several years later, the father and daughter finally make the journey to Mansourah, his native village: seeing his house, meeting other men who experienced the same heartbreak. Little by little, the film reveals what Malek, like many others, has long kept quiet about.

Endphase(en)
Endphase tells the story of one the last WWII massacres which was not spoken about for 75 years. In the night of 2 May 1945, 228 Jewish women, children and old men were murdered in Hofamt Priel, a small village in Austria. The perpetrators were never found. The film is a journey into the past of the neighbouring communities Persenbeug and Hofamt Priel, where the brothers Hans and Tobias Hochstöger grew up. In search of an explanation they speak with the last local eyewitnesses and find Yakov Schwarz, the last survivor, and his family in Israel.

L'Algérie au travail(fr)
This film is devoted to Algeria's vast equipment plan which has fostered the development of the ports of Algiers and Oran. The inauguration of new aerodromes, roads, the construction of dams and power stations, the development of coal production, the textile and metallurgical industry, the opening of canneries, as well as the phenomenal boom in production of wheat and wine.

Déjà le sang de mai ensemençait novembre(fr)
The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.

The Fog of Srebrenica(en)
This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.

Crimea. As It Was(uk)
The film is a story about the officers, soldiers and seamen who did not betray their oath of loyalty to the people of Ukraine and their first hand accounts about Russia's invasion and annexation of Ukraine's Crimean Peninsula. They continue to fulfill their military obligations on land, on sea and in the air today.

Berbères des cimes(fr)
At the heart of the Moroccan High Atlas mountains, water is a resource in short supply. The village of Tizi N'Oucheg has undergone a transformation thanks to Rachid Mandili, who is well-aware that the development of his village depends on access to clean water and on his strong leadership of this project. Mandili rallies all the villagers together and calls upon the knowledge of French and Moroccan scientists to tap water sources, to purify, and reuse waste water for irrigation. The documentary highlights the Berbers' community ties and ingenuity in their dream of independently managing their village water resources. It equally paints a portrait of a man whose initiative and resourcefulness has opened Tizi N'Oucheg up to modernity while still conserving its cultural heritage. Tizi's example presents some of the problems of water access in semi-arid regions and puts forward concrete solutions to these problems.

Many Beautiful Things(en)
In an age when women were incapable of joining the artistic dialogue, Lilias Trotter managed to win the favour of celebrated critics.

Fernand Pouillon, Le roman d'un architecte(fr)
Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.

Fernand Pouillon, Une architecture habitée(fr)
In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.

L'ordre Français : 17 Octobre 1961(fr)
“In Algeria, we are restoring order, what we mean by French order,” declared Michel Debré, Prime Minister, under the presidency of Charles De Gaulle, in April 1956. It was, of course, order colonial in defiance of the republican order, in Algeria as in Paris where, on October 17, 1961, Algerians flocking from suburban slums were massacred by the police of prefect Maurice Papon, while they were peacefully marching for the independence of their country. On October 17, 2001, a commemorative plaque was placed in Paris on the Saint-Michel bridge: "In memory of the many Algerians killed during the bloody repression of the peaceful demonstration of October 17, 1961." A surge of racial hatred, less than 20 years after the roundup of the Jews in July 1942. An Algerian, victim of this roundup, told us, holding back his tears, "I still have nightmares."

Chroniques algériennes(fr)
Summer 2019, Zak wanders the streets of Algiers and dives into the Hirak, a series of protests taking place in Algeria since February of that year. His chronicles are nourished by encounters with men and women who take an enlightened look at their country and its struggles: through their words, the strength and complexity of such a movement emerge.

My name is KIM Bok-dong(ko)
In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.
If Only I Were That Warrior(it)
If Only I Were That Warrior is a feature documentary film focusing on the Italian occupation of Ethiopia in 1935. Following the recent construction of a monument dedicated to Fascist general Rodolfo Graziani, the film addresses the unpunished war crimes he and others committed in the name of Mussolini’s imperial ambitions. The stories of three characters, filmed in present day Ethiopia, Italy and the United States, take the audience on a journey through the living memories and the tangible remains of the Italian occupation of Ethiopia — a journey that crosses generations and continents to today, where this often overlooked legacy still ties the fates of two nations and their people.

Restitution? Africa's Fight for Its Art(fr)
There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.

The Devil Came on Horseback(en)
While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.

The Panafrican Festival in Algiers(ar)
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Why We Fight(en)
Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.