Terwijl het liefde was(2021)

Babylon(ar)

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Calls from Moscow(es)

A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.

Colossus(en)

Told through the eyes of 15-year-old Jamil Sunsin, Colossus is a modern-day immigrant tale of one family's desperate struggle after deportation leads to family separation, and the elusive search for the American dream.

Afganistanbul(tr)

Cleaners(es)

Migrating is seldom an easy solution. It is rather a journey, that begins with a journey. After more than eight years of campaigning, the immigrant cleaners outsourced at the School of Oriental and African Studies (SOAS) in London continue to demand being brought in-house. Limpiadores charts the history of their and others’ campaigns – from winning the London Living Wage to the deportation of nine colleagues, and the day-to-day invisible labour of cleaners on our campus.

Mães - Um filme pra falar de amor(pt)

El Vacío(en)

In a mesmerizing confessional built from home video and animation, Karla Cornejo Villavicencio explores the mental prisons and personal trauma created by immigration policy.

Malditos(es)

A group of actors in Madrid are cast in a theatre show conceived as a dance marathon and as an unscripted competition. ‘Malditos’ follows their drifting between success, failure, fame and self-realization, interweaving non-fiction interventions and staged representations, constantly blurring the boundaries between fiction and reality.

Aan ons den arbeid(en)

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

America; I Too(en)

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

Until Porn Do Us Part(pt)

Eulália, a conservative Portuguese mother, found out that her son who emigrated to Germany has become Fostter Riviera, the internationally awarded first Portuguese gay porn actor. She suffers with the distance, sometimes toned down through the computer that has become her main source of information and communication with her son. This documentary focuses on the long journey of this mother towards acceptance and endeavour to get closer to her son.

Borderland(en)

A powerful set of stories of “righteous persons” taking action along the U.S.-Mexico border, motivated by moral conviction and compassion. "Borderland" shows how courageous actions can lead to political mobilization and the defense of human rights in the face of hate and discrimination.

Círculo de Tiza(es)

A storyteller, mime and actor, at the age of 86 years old, self-represents and tells the story of his life, moving between reality and fiction; showing us how art and imagination change the way we see life. A poetic journey between creation, play, loneliness and old age.

Evaporating Borders(en)

Evaporating Borders is a poetically photographed and rendered film on tolerance and search for identity. Told through 5 vignettes portraying the lives of migrants on the island of Cyprus, it passionately weaves themes of displacement and belonging.

Ricochet(en)

When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.

La Vie sans Brahim(fr)

Rotzloch(de)

At the end of a quarry, in a godforsaken place called Rotzloch, a new life begins for four young men.

Exhalación: vida y muerte de De La Puríssima(es)

The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

Paper Dolls(en)

Paper Dolls follows the lives of transgender migrant workers from the Philippines who work as health care providers for elderly Orthodox Jewish men and perform as drag queens during their spare time. It also delves into the lives of societal outcasts who search for freedom and acceptance.