Queen of the Luna Par(k)ing is a moving image produced by Sara Ferro and Chris Weil. The title itself is a combination of the element moon (from the Italian “luna” ) shining over a parking slot, where a girl is waiting for encountering someone, perhaps the king of the luna park. While acting in the gap of certainties like a lonely queen the moonshine splits its aura into the colours red/blue/yellow, interpreting the interstellar communication signals of Voyager 1 launched by the NASA in 1977. Exactly the year when the protagonist Wundersaar (Luna Queen) was born. Therefore the journey of the Voyager space probe can be seen as a metaphor for the expedition of every human being discovering the unknown in the deep space of life.
Queen of the Luna Par(k)ing is a moving image produced by Sara Ferro and Chris Weil. The title itself is a combination of the element moon (from the Italian “luna” ) shining over a parking slot, where a girl is waiting for encountering someone, perhaps the king of the luna park. While acting in the gap of certainties like a lonely queen the moonshine splits its aura into the colours red/blue/yellow, interpreting the interstellar communication signals of Voyager 1 launched by the NASA in 1977. Exactly the year when the protagonist Wundersaar (Luna Queen) was born. Therefore the journey of the Voyager space probe can be seen as a metaphor for the expedition of every human being discovering the unknown in the deep space of life.
2020-10-28
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SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988
A vengeful mother-in-law locks horns with her daughter-in-law in a twisted tale laced with dark comedy, political intrigue, and chilling thrills.
Catch the spark after dark at Disneyland Park. And say farewell to one of the Magic Kingdom's most celebrated traditions - The Main Street Electrical Parade. Where else, but in The Main Street Electrical Parade, could you see an illuminated 40-foot-long fire-breathing dragon? And hear the energy of its legendary melody one last time? It's unforgettable after-dark magic that will glow in your heart long after the last float has disappeared.
Janma Bhoomi is a compelling Nepali film that celebrates culture, family, and the triumph of good over greed. Arjun and Krishna, two brothers unaware of their bond, face Kuber Agarwal, a wealthy businessman set on destroying Naya Basti village to build a factory, ignoring the villagers’ heritage. Agarwal’s daughter Sirjana falls in love with Arjun and marries him against her father’s wishes.Chameli secretly loves Arjun but remains silent, while Krishna falls for Gita. With the villagers’ support, Arjun and Krishna resist Agarwal’s plans. The story takes a tragic turn as Agarwal and Chameli die, but the brothers succeed in protecting the village. Sirjana’s decision to leave her father highlights that love and integrity triumph over greed. Directed and written by Mohan Nirula and produced by Chabi Ojha, Janma Bhoomi showcases Nepal’s cultural roots and the power of unity.
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Photographer Grigory Yaroshenko gets a chance to visit Antarctica and learn about the life of polar explorers. But his wife is expecting their second child, and life changes. Gregory is faced with the question of male self-identification and acceptance of new family circumstances.
"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).
MARIAN is an 80 year old resident of Meadow Park Rest Home. During a difficult visit, her daughter PHILLIPA is forced out and accidentally leaves something important behind. Wandering out of the rest home, the outside world proves challenging, as Marian battles her mind in an attempt to return her daughter’s beloved possession.
The next Saturday Night’s Main Event primetime special will air live on Saturday, Jan. 25, at 8/7 C on NBC and simulcast on Peacock. The special will be held at Frost Bank Center – home of the NBA’s San Antonio Spurs – in San Antonio, Texas.
Ian Haig’s The Foaming Node essays the discovery and emergence of new bodily organs in meticulous and captivating detail. We follow the last remaining observers, members of a cult of sorts, who have experienced both the transmissions of The Foaming Node, and their own personal and strange bodily transformations. They discuss exactly how the changes associated with The Foaming Node have affected them, telling fascinating, visceral, detailed tales that reach beyond science, alternative medicine, and corporeality.
A 19-minute short film featuring the six performances of the Japanese performance art group Grinder-Man. Only released on VHS.
A vlogger whose life is seemingly controlled by an unknown presence begins to spiral as he falls further into surrealism and imaginary worlds.
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
In the nearby future, the Gulf stream may certainly collapse in itself as the percentage of saltwater and sweet water in the oceans is changing dramatically. More and more glaciers are melting worldwide introducing an enormous amount of sweet water into the seas which causes a disbalance of the ocean water streams. There will be not only a rise of the sea levels which may flood coast by cities but also the "power engine" of the Gulf stream which is the "heating system" for Northern Europe is losing its force and energy. Therefore parts of the earth might become very cold and at the same point other parts too hot to live on. So the equilibrium of the earth's temperature is going to be mad. Is there any escape? Maybe leaving mother earth to explore the deep space of our universe? There will be neither sounds nor noises, only freezing silence as there is no echo, no resonance in space. 12x12 Moving Images = 144 moments of cold space
If a machine would possess a soul it might be a beach. Every single sand corn symbolizes a data-set of a memory captured in the world wide web saved deep down in the ocean. From there the bytes condense and finally reach the cloud. But how would it feel for a machine to see the glitch waves and feeling the shore stones on its case? What would be the colours of the coastline? Glitching Offshore tries to portrait the soul of an AI and the universe behind it. Glitching offshore, alike drifting away as in a psychogeographical dérive (furthermore, away from the "rive": bank) where human intentional yet chaotic action is substituted by pixels' stirrings of the soul.
A meditation on isolation through paint textures, video collage and sound
A fiction science monologue about artificial fertilization and its consequences, delivered by four characters interacting with the text.
Pegasus viz. incorruptibility undergoes a stress test to prove its name. Will his code of chivalry stand the attempts at corruption? Here we have four situations in which he gets proved. Criminal solicitations interfere digitally in the shape of data moshing. He takes a rough ride onto the mosh pit of the blockchain. Cybercryptocy video art meets classical Greek mythology.
The confusion, fatigue, and exhaustion of a twenty-year-old girl were evident when she recently moved into a new, empty house to live in.
Recording of video processing feedback which was "performed" live to the music of The Soft Machine.
A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.
SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.
In an ironic reference to body art, process art and performance, Baldessari challenges definitions of the content and execution of art-making. Performing with deadpan precision, he moves his hands, arms and entire body in studied, minute motions, intoning the phrase "I am making art" with each gesture. Each articulation of the phrase is given a different emphasis and nuance, as if art were being created from moment to moment. This index of body movements is ironically offset by the repetitive monotony of the exercise.
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010