How to Remember(NaN)

Demirkırat: Rebellion(tr)

In the past, when spring came, there was a spring atmosphere in politics. But the spring of 1959 brought the CHP's spring offensive on the contrary. Seeing that the opportunity for a dialogue was completely lost after Menderes' plane crash, İsmet Pasha put on his boots in April and took his 46 deputies with him to the expedition. The chosen route was the route of the Great Offensive in the War of Independence. Uşak, where İnönü took the Greek Commander-in-Chief Trikupis prisoner, was the first stop...

Negotiating Amnesia(en)

Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.

Starting Place(fr)

In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.

Mary Remembering(en)

A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.

Their Houses(en)

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.

Sin libertad: 20 años después(es)

Shâd Bâsh(fr)

Demirkırat: Pressure(tr)

Looking back at the turmoil of the 1950s today, it's hard not to be sad. Even though one knows the end of the story, he is always waiting for something to happen to prevent this bitter ending. He wants the mistakes made to be noticed, a common point to be agreed and the accident that says I am coming to be prevented. But in vain... After the accident today, all we can do is look at the causes of the accident and learn from it... Beginning from the mid-1950s, the democracy, which was knitted stitch by knot before, began to unravel again, stitch by stitch. A tense, harsh, vicious period has opened in the political arena... It seemed impossible to see the future and take precautions in that dusty smoke...

12 Mart: "Sağ-Sol"(tr)

In 1965,a two-month-old leader,the commander of the Western Front, knocked down the big plane tree in a shake. One was 40, the other 80. In the last 5 years, it wasnt even possible to think of a government without İnönü in the country,but things were changing.Actually, Demirel was supposed to take the task, but the AP leader did not want it. It's good for the prime minister. He was inexperienced. A moderate name was found for this eight-month temporary period: Suat Hayri Ürgüplü, one of the former ministers of İnönü, and the new EP Senator. Demirel also sat on the chair of the deputy prime minister. For the first time in his life, he entered the General Assembly Hall of the Assembly during this period. Although he was not a deputy, he settled at the forefront of the Cabinet of Ministers, met with the government, and reconciled with the circles that were said to never give power to the EP. At the end of eight months, when the elections were at the door, the squares were waiting for him

RE:MEMBER(en)

RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of memory, media, and history, specifically through the lens of two millennial participants. Through their testimonies and introspections, we start to see the rift between the media they were nostalgic for and the reality we currently live in. They also consider how our current attitudes towards media have shaped our previous environments and how we can change society to better our future generations.

12 March: Contumacy(tr)

The slogan "Great Türkiye" began to be heard for the first time in the mid-60s. The Turkish economy had become unstable and stagnant at the hands of military interventions and the provisional government. After 1965, the system began to settle. The economy's also recovered. With the 2nd Development Plan, the wheels of a liberal economy were turned. On the 1 hand, private sector incentives, big projects such as Keban Dam and Bosphorus Bridge. Electricity was going to the villages, Turkey was getting its share from the growth in the world, the country was "doubling up" in the words of the prime minister. Inflation was five percent. Demirel, who rushed from one groundbreaking ceremony to the next, had nothing to say. Of course, this vitality was also reflected in social life. Unions, associations, universities were fidgety. The world and Türkiye were going to 1968 at full speed. The year that gave its name to a generation in the history of the world and Turkey; 1968 had come...

12 March: The Junta(tr)

We are now saying goodbye to the 1960s. The 60's started eventfully on May 27. It ended as eventfully as it began. The '70s inherited escalating violence, student riots, and rumors of intervention. Prime Minister Demirel was trying to put out the fire in the street and to calm the increasingly restless army on the other. The October 1969 elections were held in this atmosphere and the Justice Party came out of the ballot box again. May 27 came by overthrowing the DP government, but the AP, which declared that three of the three elections held since the 1960s, were the continuation of the DP, emerged successfully. Demirel was about to roll up his sleeves for a new era. He felt that no one could stop him now. He was wrong. As he was dizzy from victory, he fell at Caesar's fault. Forgot about Brutus...

12 March: Memorandum(tr)

When March of 1971 knocked on the door, a military intervention was imminent in the country. Bombs were exploding in a strange way from right to left, and the urban guerrilla was resorting to unconventional acts such as bank robbery and kidnapping. The generals had decided to put a stop to this trend. Dynamite was placed under Prime Minister Demirel. The question now was who would ignite the fuse of the dynamite. President Sunay was waiting to watch the approaching explosion silently from Çankaya. Tuğmaç, Chief of General Staff, tried to delay the explosion as much as possible, preferring Demirel to self-destruct. The two generals were watching each other to see who would ignite the fuse first. These two generals were Faruk Gürler and Muhsin Batur. The fire was in their hands. They were going to detonate the dynamite...

12 March: Rematch(tr)

Demirkırat stumbled on March 12, 1971. Actually, you know, they shoot limping horses. But this time it didn't. Turkish democracy continued to run despite its wounds. Because March 12 was not a "seizure" but a "warning". The generals were saying, "If what we want is not done, we will seize it." The country was entering a new era under this Sword of Damocles. A president who was helpless in the face of events, a prime minister who had to leave his seat, a newly fallen parliament, four generals neither inside nor outside the power... Now, a solution would be tried to be found out of this complex equation. But how and with whom? No one knew the answer to these questions in Turkey on the morning of March 13.

12 September: Clash of Colors(tr)

Turkish democracy got over the 27th of May and the 12th of March and set off again, but the storm did not subside and the mutual reckoning was not over. On the contrary, new fronts were opened in the country and blood began to flow like a gutter. Finally, on September 12, there was a knock on the door again. Those who came that day changed everything, everything. Nothing would ever be the same again, nothing would be the same as before.

Buck Southworth: U.S. Air Force Flight Crew(en)

In this short documentary, the life story of Buck Southworth as a U.S. Air Force aircrewman is told and narrated by his wife, Priscilla Southworth, now a Cemetery Volunteer at Cape Canaveral National Cemetery. This is a remarkable and touching documentary about bravery, mission and love.

12 Mart: Rebellion(tr)

Staff Colonel Talat Aydemir... Aydemir's February 22 rebellion was the first revolutionary attempt in Turkey that faced resistance. But it was also the most dangerous... The thing the army feared most happened to him. The most undesirable possibility of the commanders in charge came true and friction broke out between the armies. At that time, the commander of 27 May, Cemal Aga, was appointed to the presidency, but the discomfort did not end. A group led by Colonel Talat Aydemir sought to intervene again. However, a part of the army, especially the Air Force, left Aydemir alone at the last moment. Talat was still strong in Ankara. In order to break this power, Prime Minister İnönü found the formula to dismiss the leaders of the rebel officers and appoint them to the East. Here is February 22, the day when these appointments will be announced to the rebels. The apocalypse was expected that day. And it broke that day...

Hometown: A Portrait of the American Opioid Epidemic(en)

An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.

El pisto(es)

Esperanto(eo)

This film, directed by Dominique GAUTIER, takes the viewer on a worldwide excursion into the history and structure of the Esperanto language, introducing its present-day speakers. The words of these users of the language are reflective of a variety of activities and viewpoints, and in the film they are interwoven so as to reveal bit by bit how the utopia of its initiator, Ludwig ZAMENHOF, is concretised every day.