Hei Tiki, also known as Primitive Passions and Hei Tiki: A Saga of the Maoris, is a 1935 American mock-documentary film made in New Zealand by the eccentric Alexander Markey and released (with sound added) in America. The film gained notoriety in America for having scenes of nudity cut in various states. It is one of four films (with The Devil's Pit, Down on the Farm, and On the Friendly Road) which claim to be the first "New Zealand talkie", although the claim is dubious in this case as the sound was added in America.
Hei Tiki, also known as Primitive Passions and Hei Tiki: A Saga of the Maoris, is a 1935 American mock-documentary film made in New Zealand by the eccentric Alexander Markey and released (with sound added) in America. The film gained notoriety in America for having scenes of nudity cut in various states. It is one of four films (with The Devil's Pit, Down on the Farm, and On the Friendly Road) which claim to be the first "New Zealand talkie", although the claim is dubious in this case as the sound was added in America.
1935-02-02
0
A Weird Maori Drama
A western set in New Zealand during the 1820s following a group of British pioneers seeking a new life Down Under.
Barry Barclay was a New Zealand/Aotearoa director of documentaries and feature films. He is regarded as one of the world's first, and very influential, Indigenous film makers. The film The Camera on The Shore is a feature length introduction to Barry, and to his film making.
Munro, a soldier turned lay preacher, comes to New Zealand to minister to the first British colonists, but he is converted by the powerful chief Maianui to serve a different purpose.
After skipping town a decade ago, transgender activist Caz Davis returns to the remote, politically divided dairy community of Rurangi, hoping to reconnect with his estranged father, who hasn't heard from him since before Caz transitioned.
This film is an intimate portrayal of pioneering filmmaker Merata Mita told through the eyes of her children. Using hours of archive footage, some never before seen, her youngest child and director Hepi Mita discovers the filmmaker he never knew and shares the mother he lost, with the world.
Rewi Rapana returns to the small country town of Te Mata after his family has left the district. His arrival rekindles old tensions as well as renewing family ties. He is seeking an identity and a permanent place to call home yet desperately hiding a secret from his past. Oddly enough there is one person with whom he finds peace of mind. She is an old woman known as Kara. A special relationship develops between Rewi, Kara and Kara’s great granddaughter Awatea.
Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.
Five years have passed and Jake has turned his back on his family. He's still up to his usual tricks in McClutchy's Bar, unaware, as he downs his latest opponent, that his eldest son, Nig, has died in a gang fight. The uncomfortable family reunion at Nig's funeral sparks a confrontation with second son, Sonny, and sets Jake and Sonny on a downward spiral.
American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.
After a period of separation, Sarah visits her research scientist mother on a remote New Zealand island. Before long Sarah becomes inextricably involved in events involving both Maori legend and an Albatross.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.
The story of Dame Whina Cooper, the beloved Māori matriarch who worked tirelessly to improve the rights of her people, especially women. Flawed yet resilient, Whina tells the story of a woman formed by tradition, compelled by innovation, and guided by an instinct for equality and justice whose legacy as the Te Whaea o te Motu (Mother of the Nation) was an inspiration to an entire country.
Lucy Lawless stars in this short which predated her rise to fame as Xena Princess Warrior. Sal is in a relationship going nowhere with Mog, a layabout who shows her no respect. A chance encounter with an easy-going female truck driver (Lawless) encourages Sal to take more chances in her life, symbolized by the purchase of a tasty but out-of-season peach.
Two young teenagers are forced to take control of their own destiny amid the chaos of a pivotal battle in New Zealand’s first land wars in 1864.
This short follows Joe Warbrick (Calvin Tuteao), captain of the New Zealand Natives rugby team, as he tries to rouse his battle-weary players to head unto the breach once more, for a test against England. It’s midwinter during the trailblazing 1888-89 tour (17 months and a staggering 107 matches) that left a black jersey and silver fern legacy. In a changing room that resembles a casualty ward, Warbrick draws breath and leads a stirring haka. Made by brothers Pere and Meihana Durie, Warbrick inspired the All Blacks the day before a 33-6 demolition of Australia in 2009.
Star-crossed lovers, Robert and Ariana, are caught up in the New Zealand wars of the 1860s. Ariana is claimed by the Maniapoto people as one of their own and, despite Robert's chivalrous defence, is taken by them and must help them prepare for war. Robert likewise must do his patriotic duty and enlists to fight on the other side. He volunteers to ride despatch, thinking it may give him an opportunity to see Ariana again, which it does, but their joy is short-lived; Maniapoto women fight beside their men, and furthermore she is a Rangitira (noble) and will not let her people down. The climax is the siege of Oraku Pa where 300 Maori hold off 2000 troops for three days. The Maniapoto are defeated, but Ariana, although wounded, survives to be reunited with Robert.
New Zealand chronicle of the life of noted writer and teacher, Sylvia Ashton-Warner. An interesting look at the unusual teaching methods she used while working with the children from the indigenous Maon.
A Maori warrior comes upon the aftermath of a battle to find that the only survivor is a wounded enemy soldier. His wishes to avenge his fallen countrymen by finishing off this helpless enemy but the gods won't allow it (as conveyed to him through a spirit bird). Anguished that he must instead treat the soldier's wounds, he's further repelled by the soldier's incessant homosexual advances. Slowly and surprisingly, a change comes over the warrior to accept the soldier's advances, but the war all too soon intrudes upon them.